“The thought of a young man going out in cold blood to serenade a young
woman on a November night is too terrible. I only hope he does not
travel with one of those wonderful silk rope ladders which play so
important a part in the lyric stage.”
“Goodness only knows,” said Clare, shaking her head despondently. “When
there's a romantic man at large nobody can tell what may happen.”
“Is it possible that you do not respond with the least feeling of
tenderness to such devotion?” said Agnes. “Is it possible that you have
the courage to run counter to the best established traditions in this
affair? Think of your duty as a soprano.”
“I thought that I had given him a sufficient answer long ago,” said
Clare, frowning. “He has fancied himself in love with a score of the
girls who sang duets with him. Girls, did I say? Why, I heard that he
was continually at the feet of Madame Scherzo before he saw me, and
the Scherzo has sons older than he is, and besides--well, she isn't any
longer what you'd call slim.”
“No, she wasn't even slim when I was a girl,” said Agnes. “But, my dear,
you must remember that a tenor is a tenor.”
“Somebody once said that a tenor was a malady,” said Clare. “I do wish
that this particular complaint had remained in Milan. Heavens! Why
should I be troubled with him just when I need to give all my thoughts
to my work? He is sure to come back to-morrow, and this time he will
ring the bell.”
“You can scarcely refuse to see him,” said Agnes. “But are you really
certain of yourself? Are you sure that you have no tender regard for
him?”
“I think I am pretty sure,” replied the girl. “I never was in the least
moved by his sighs and his prayers--I was only moved to laughter--when
he wasn't near, of course. If I had laughed when he was present he would
have killed either me or himself.”
“The only way by which a girl can be certain that she does not love one
man is to be certain that she loves another,” said Agnes. “I wonder if
Signor Rodani has a rival?”
She glanced at Clare's face: it was blazing. The laugh she gave was a
very uneasy one. Agnes became interested. Seeing these signs she rose
from her chair, and went across the room to the girl, laying her hands
on her shoulders, and looking searchingly down into her face. Clare,
however, declined to meet her gaze. She only glanced up for a second.
Then she turned to one side and laid a hand on the keys of the piano,
pressing them down so gently as to produce no sound.
Agnes laughed as she raised her hands from the girl's shoulders.
“I am answered,” she said. “You have told me all that your heart has to
tell. I will ask you nothing more. Oh, I wondered how it was possible
for so sweet a girl as you to escape.”
Clare sprang to her feet and threw her arms about the neck of her
friend, hiding her roseate face on her shoulder.
Public-domain text, read in full here on John Shaqi.
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