What the Duke was most anxious to save was the contents of the
lumber-garrets, where lay the dishonored remnants of the old wainscot
and carved furniture of Elizabethan Wenderholme. But when he got up
there with his party he found that it was not quite possible to breathe.
A more serious discovery than the inevitable loss of the old oak was
that the fire was rapidly spreading northwards in the garrets.
There was a little ledge round the roof outside, protected by a stone
parapet, and broad enough for a man to walk along; so the chain of
water-carriers was continued up to this ledge, and a hole was made in
the slating through which a tolerably continuous stream was poured
amongst the burning lumber inside. The uselessness of this, however,
shortly became apparent; the water had little or no effect--it flowed
along the floor, and the rafters had already caught fire. The slates
were so hot that it was impossible to touch them. It was evident that
the lead under the men's feet would soon begin to melt, and the men were
withdrawn into the interior.
CHAPTER XXVIII.
FATHER AND DAUGHTER.
When Colonel Stanburne had removed Edith's picture, he carried it away
into the darkness. He could not endure the idea of having to explain his
action, and instinctively kept out of people's way. Still, he could not
leave it out of doors; he dreaded some injury that might happen to it.
Where could he put it? In one of the out-houses? A careless groom might
injure it in the hurry and excitement of the night. No; it would be safe
nowhere but at his mother's, and thither he would carry it.
There were two communications from the Hall to the cottage--a
carriage-drive and a little footpath. The drive curved about a little
under the old trees in the park, but the footpath was more direct, and
went through a dense shrubbery. On his way to the cottage the Colonel
met no one, but on his arrival there he met Lady Helena in the entrance.
His mother was there too. Late as it was, she had not yet gone to bed.
The sight of the Colonel, bareheaded, and carrying a great oil-picture
in his hands, greatly astonished both these ladies.
"What _are_ you doing with that picture, John?" said Lady Helena.
"I want it to be safe--it will be safe here;" and he reared it against
the wall. Then he said, "No, not here; it will be safer in the
drawing-room; open the door. Thank you."
When they got into the drawing-room, the Colonel deliberately took down
a portrait of himself and hung Edith's portrait in its place. His
manner was very strange, both the ladies thought; his action most
strange and eccentric. Lady Helena thought he had drunk too much wine;
Mrs. Stanburne dreaded insanity.
With that humoring tone which is often adopted towards persons not in
possession of their mental faculties, Mrs. Stanburne said, "Well, John,
I shall be glad to take care of Edith's picture for you, if you think
that it can be safer here than at the Hall."
"Yes, it will be safer--it will be safer."
Public-domain text, read in full here on John Shaqi.
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