The road entered the village, and therefore did not go quite directly to
the Hall. As it had been Jacob Ogden's intention from the first to play
the part of Public Benefactor in this matter, he guarded the privacy of
his mansion.
At the entrance of the village there was a triumphal arch made of
heather and evergreens, and decorated with festoons of colored calico.
Here the procession paused a second time, whilst the villagers came to
make their little offering to Mrs. Ogden.
The lord of Wenderholme was both surprised and offended by the absence
of Mr. Prigley. "I'll make him pay for't," he thought, "if he wants
out[26] doin' at his church, or any subscriptions, or the like o' that"
Indeed, the absence of Mr. Prigley was the more surprising that it was
contrary to the traditions of his caste, usually sufficiently ready to
do honor to the powers that be.
Also, Jacob Ogden thought that the church bells might have rung for him.
But they didn't ring. A hostile Prigley or Stanburne influence was
apparent there also. It was irritating to have the great triumph marred
by this pitiful ecclesiastical opposition. "He shall rue it," said
Jacob, inwardly--"he shall rue it!"
A table had been set in the middle of Wenderholme green, and on this
table was a large and massive silver inkstand, and in the inkstand a
gold pen with a jewelled penholder. Here Jacob Ogden descended from his
carriage, and, surrounded by all the chief personages in the procession,
sat down under a spreading oak, and signed the deed of gift by which the
road from Shayton to Wenderholme was transferred in trust to the Shayton
magistrates and their successors for ever and ever.
The inkstand bore an inscription, and was formally presented to Mr.
Ogden. And a great shout rose--all John Stanburne's former tenants
distinguishing themselves in the "hip, hip," &c.
After that the procession entered Wenderholme Park, and Mrs. Ogden
descended at the grand entrance, and moved across the hall, and up the
tapestried staircase.
CHAPTER XIII.
THE "BLOW-OUT."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account