"Thought he couldn't wait until to-morrow," he said. "Or knew _she_
couldn't. Mammy hasn't changed, that is plain. But I shall sing to Miss
Erskine first. About her namesake--and some other things."
He jumped up and went for the banjo, placing himself then in the
doorway where he could look down upon Cherry. She had put away the
peas, and now had in her hand a bowl of yellow cream, which she was
softly beating to a stiff froth. The other girls had finished their
berries, and sat near her on the steps. Beyond, the honey bees hummed
over clover and mignonette, the little brook tinkled along unseen.
Behind him, Magnus could hear the pleasant murmur of the talk that went
on within the house. Then a cow lifted up her voice and gave a long,
plaintive moo, and a wren under the eaves poured out new tidings of the
wealth that came to her every five minutes. Magnus leaned back his head
against the doorpost and listened.
"That bird sings for all she is worth," he said. It took such hold of
him; the sweet home air and sounds and sunshine, the two dear girls
watching him with their loving admiration, and the yet dearer, whose
bent-down face told more than she meant it should, the sights and
scents from hayfields and hills--it came upon Magnus Kindred like a
spell. And as with it all mingled in the echoes of music from the
graduating parade, he struck a few notes on the old banjo, and then
sang out from the depths of his heart:
"Home, home! Sweet, sweet home,
O there's no place like home!
There is no place like home."
Cadet Kindred had by nature a rather rarely fine voice. Art had indeed
never tutored nor trained it, but it was one of those voices which can
never by possibility sing out of tune or time, and in the two years he
had been away, exercise and growth had both strengthened and sweetened
it; a sort of revelation now to the listening girls.
The two sisters gazed at him as if nobody had ever sung before;
Cherry's beater went slower and softer, then stopped, and the girl sat
in breathless listening; until her lips began to tremble, and there
came such a surge of sorrow and sympathy and delight in the music,
and--and--everything else; that Cherry laid one hand upon her breast
as if to quiet and keep it down, and at first dared not look at the
singer, and then could not take her eyes away.
As for Magnus, he had thrown himself into the music, as was his wont,
being for the time all rapt and unconscious of other things. From
"Sweet Home" to "Lang Syne"--back and forth as the band had done--so
went the voice, and it was not until the words woke up some special
association that Magnus took note of the sweet, pitiful eyes that were
fixed on him. The other girls had pulled out their handkerchiefs.
"We twa hae paidlet in the burn,
Frae morning sun till dine;
But we've wandered mony a weary fit,
Sen auld lang syne."
"That is just what we did, Cerise--do you remember? And just what I
have done, since."
Public-domain text, read in full here on John Shaqi.
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