Westminster (London, England) -- Description and travel
The case, at which between three or four hundred witnesses were heard,
was finally decided by “Thomas Fitz au Roy, Duc de Gloucestre, Counte de
Bukyngham et Dessex, Constable Dengleterre,” who, after due care and
deliberation, and the weighing of all the evidence, and consultation
with wise and discreet persons, finally adjudged “les dites armes
d’azure ove une bend dor avoir esté et estre les armes du dit Richard
Lescrop.” And so ended this great case, which somehow puts the poet
before us more clearly than even his “Canterbury Pilgrims.”
And so we come back to the streets proper of Westminster--_i. e._, the
slums on the west and south of the Monastery.
There have always been slums here, even before the Sanctuary rabble and
after. The streets lying about Tothill Lane, however, which were slums
from the beginning, only began in the sixteenth century. The map of
Anthony Van den Wyngeerde (A.D. 1543) shows only a few houses standing
round about the Sanctuary in the northwest corner of the inclosure;
there is a crowd of houses between King Street and the river, and on the
west there is nothing but open country: that part of the City which
contained the most infamous dens and the vilest ruffians, which was
called the “Desert” of Westminster, lying to the south of Tothill
Fields, grew up and ran to waste and seed in the course of the
seventeenth century. In the eighteenth we reaped the harvest of that
seed; at the end of the nineteenth we are still pulling up the weeds and
planting new flowers and sowing better seed.
The “Desert” was bounded on the north by Tothill Street, Broadway, and
Petty France, all with their courts--their sweet and desirable courts;
its southern boundary was the Horseferry Road; the Abbey lay along the
east; and the western marsh was the fringe of Tothill Fields, now marked
by Rochester Row, or perhaps Francis Street. A little remains--here a
court, there a bit of street--to mark what the place was like.
Public-domain text, read in full here on John Shaqi.
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