Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Nævius, if not actually born at Rome, was from the earliest boyhood a
resident in the capital, and was the first poet of real national worth.
Like most subsequent writers, he was a servile imitator, but attained
more than ordinary success in applying Greek taste to the development
of Roman character. A bold republican and brave soldier, he breathed
a martial enthusiasm into his poems, which in no slight measure aided
the battles of his country in the first Punic war. The upright and
inflexible Cato was his fast and enduring friend.
Plautus, unlike his two famous successors, had no patron but the
public. Perhaps the Scipios and Lælii, and their fastidious associates,
could not endure his broad humor and groveling inuendos. But his
coarse fun and audacious action held the not over-critical ears of the
undistinguished mass, whom, Horace says, he hurried on from scene to
scene, from incident to incident, from jest to jest, so that they had
no opportunity of feeling fatigue. Another cause of his popularity was,
that although Greek was the fountain whence he drew his stores, his
wit, mode of thought, and language, were veritably Roman; his style was
not only his own, and Latin in fact, but Latin of the most effective
kind.
P. Terentius Afer, born B.C. 195, was a slave in the family of P.
Terentius Lucanus, a Roman senator. It was customary to distinguish
slaves by an ethical name, and thus Afer points to an African origin.
Whether he was a native of Carthage is uncertain, but he doubtless
came into Roman hands through the Carthagenian slave-market, and was
destined to achieve a high renown. Under Lucanus he acquired a refined
and accurate knowledge of the Latin tongue, and, it is probable,
also, soon obtained his freedom. A beautiful story is recorded of
his original success. Having offered his first dramatic sketch for
acceptance to the Curule Ædiles, they referred him to the critical
judgment or Cæcilius Statius, then at the height of his popularity.
Terence, according to the record, in humble garb was introduced to the
poet whilst he was at supper, and, seated on a low stool near the couch
on which Cæcilius was reclining, he commenced reading. He had finished
but a few lines when he was invited to sit by his critic and sup with
him. Before the reading was ended he had won the unqualified admiration
of his hearer. The result was that Terence was immediately sought for
by the distinguished, and became a favorite guest and companion with
those who could appreciate his powers. The great Roman nobility, such
as the Scipiones, the Lælii, the Scavolæ, and the Metelli, had some
taste for literature; and, like the Tyranni of Sicily in later ages,
were accustomed to assemble around them circles of the refined, of
whom the hospitable host was proud to be recognized as the nucleus and
centre. If Terence was inferior to Plautus in vivacity and intrigue,
as well as in the powerful delineation of national character, he was
Public-domain text, read in full here on John Shaqi.
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