Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
After the battle of Actium, the spirit of faction and tumult subsided
in a measure; and the love of letters, with a better sway, succeeded
to that love of arms which had occupied every Roman mind for seven
hundred years. The empire was at peace, and universal plunder had
immensely enriched the metropolis. Gorgeous embellishment began to
be admired, without producing correct taste; and, as a higher order
of mind endeavored to cultivate a national literature, the language,
like the capital of brick, seemed to have become marble. But never
was Rome able to attain superior distinction in elegant letters, or
diffuse among her citizens a general taste for refinement. An Athenian
of the humblest rank could sit from morning to evening intent upon the
scenes of Æschylus or Sophocles; but the Roman plebeian soon wearied of
mental exhilaration, and turned to the more genial enjoyment of beast
mangled by beast, and man by man. Nor was this peculiar to the lower
classes. Knights and senators would hazard life in forcing their way
into the amphitheatre, where they often struggled on the arena with
their own slaves. Nothing beautiful was ever loved by them for its own
sake, but might be haughtily patronized as an appendage to sensual
delights. Throngs of poets and musicians attended at the public baths
to recite or sing; and at supper, old and young bound their heads with
laurel, not the amaranth of Minerva, but the gory weed of Mars. This
was only an affected love of letters, and was equally gratified when
entertained, at intervals, by wandering sophists, gladiators, jesters,
or conjurors, as was common around the triclinium of the emperor
himself. At the best epoch, a passion for literature and art was not
the enthusiasm of appreciative genius, but only a transient fashion of
the court.
Public-domain text, read in full here on John Shaqi.
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