Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
But when the arch is made the life of the whole building, standing
out in all its boldness and majesty, the work is infinitely nobler
than when accompanied by the incongruous Grecian mask. The original
Etruscans had the independence so to use the grand principle they were
the first properly to appreciate, and the creations of their hands
are of the greatest intrinsic worth. Their roads and bridges, tombs
and city walls, cloacæ and tunnels are so extraordinary that, after
twenty-five centuries, they remain unsurpassed even by their gigantic
conquerors. They drained marshes, cultivated barren plains, and brought
Italy from a savage state to that degree of civilization which enabled
the Romans to profit by, more than the great originals who prepared
the field of their first occupancy, and then were displaced. Such is
necessarily the history of human progress, when excellence of a given
kind is made to yield to some other superior force, but which in turn
will succumb to the same law, and contribute to the greatest good of
the greatest number in the end.
It is interesting to reflect on the contrast which existed between
the architectural principle of two great primordial people in almost
simultaneous developement. At a time when her existence was scarcely
known to the refined republics of Greece, the barbarian state on
the banks of the Tiber began to employ the mightiest of mechanical
discoveries, through the means of which vast spaces were roofed in
with stone or brick, while, through ignorance or contempt of it, the
most glorious temples of Pentelic marble remained exposed to shower
and sun, or were imperfectly sheltered by a covering of wood. The
sewers of Rome were a vast improvement in practical mechanics over the
structures at Athens; and if Etruscan genius had been permitted to
work out completely its own ideas, a simple, noble, and majestic style
would doubtless have been developed. As it was, their rudest works
announced the fundamental principles of excellence and consistency
which belonged not to edifices of greater ambition; and Rome had the
honor of transmitting a prolific germ under the westering sun, where it
arose and justly claimed to be considered the noblest offspring of the
human mind.
Public-domain text, read in full here on John Shaqi.
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