Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Another class of national monuments clearly indicate how the Romans
were differenced from the Greeks. The history of the latter speaks of
valor, power, and conquests, as well as that of the former people.
Where are her architectural monuments of conquered countries and
captured spoils? She had them, but they were mere temporary trophies
constructed of wood. With glorious Greece, the day of triumph was the
day of magnanimity, and in the presence of great art, which ought
never to be desecrated in the forms of self glory, she was willing
to let the songs of victory dwindle speedily into silence. But the
Romans were actuated by entirely opposite feelings. In a Greek portico
columns are native to the occasion as the flower to its parent soil;
but in a triumphal arch as constructed by the Romans, the columns
support nothing that is necessary, nor are they in the slightest
degree constructive, but are forced in with every thing else to typify
national ostentation. Outward symbols, and inner panels of bas-relief
cut in precious marbles, as uncouthly executed as the architectural
members, illustrate the triumphal procession of a conqueror, leading
vanquished captives in chains. If you would clearly read the lessons
of art, that most legible commentary on national character, ascend
reverently the Propylæum in presence of the sculptured Parthenon, and
then go scan the monstrous arches of Titus, Septimus Severus, and
Constantine.
The final expression of eastern beauty was embodied in the immense
temple of Diana at Ephesus. Ctesiphon designed it about B.C. 366,
all the Asiatic colonies of Greece contributing to the expense of its
erection. It was four hundred years in progress, and was burned by
Eratostratus, with the object of immortalizing his name, on the same
night that Alexander was born. Then began the age of martial greatness
and artistic deterioration which ended not till Christianity came to
gaze on the desecrated relics of Judea at Rome, and passed yet further
west through the arches of paganism to originate more aspiring and
glorious shines.
Public-domain text, read in full here on John Shaqi.
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