Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
That Mosaic should be popular with the Romans was natural, since their
thoughts, mythology, social and philosophical systems, exhibited only
one vast composition made up of precious fragments plundered from
the East, and maintained in a gorgeous form on their grand system of
forcible compact and consolidated union. Pliny states that Scylla
was the first Roman who caused stone-laid work to be produced, about
B.C. 80. Many elegant spoils from Greece were deposited in the temple
of Jupiter Capitolinus, and were probably adopted as decorations,
which created in the minds of luxurious and ostentatious patricians
an anxiety for other magnificent embellishments, and thus occasioned
Mosaic. The most noble specimen of it now extant is the splendid
pavement of the Pantheon, the historical worth of which is commensurate
with its great superficial extent. Porphyry, Giallo Antico, and
Pavonazzetto are the principal marbles employed, and they are arranged
simply in round and square slabs. Fine fragments have been found
in the Baths of Caracalla, and are preserved, with numerous other
specimens, in the great Mosaic depository of the Vatican. The most
generally known, and by far the most exquisite example of this art
still existing, is the picture usually called "Pliny's Doves." It is in
the museum of the Capitol, and represents a metal bason, on the edge
of which four doves are sitting; one of them is stooping to drink, and
not only the shadow cast by it, but even the reflection of part of
the head in the water, is beautifully shown. The vast accumulation of
precious material after each campaign greatly enhanced the passion for
Mosaic decoration, and it was copiously produced till the end of the
second century. The church early adopted this art for sacred symbolic
purposes, and during the mediæval period, carried it to the highest
perfection. The only specimen of primitive work now extant, is the
curious incrustation which lines the vaulting of the Baptistery erected
by Constantine, dedicated to Santa Constanza, and which represents a
vine covering, as it were, the whole roof.
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