Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
The beginning of the fifteenth century witnessed great ardor for
antiquity. A prouder sense of nationality had seized upon the popular
heart, and there was a growing ambition to emulate the past and
improve the future. Petrarch fired the general enthusiasm for antique
monuments, and Rienzi eloquently revived patriotic associations
connected therewith. Each leading city became a new Athens, and the
revived age could boast its historians, poets, and orators. Naples,
Rome, Venice, Bologna, and Florence, vied with each other, not in
arms, but in the splendid triumphs of genius. Books were multiplied by
numerous expert copyists at Bologna and Milan; while Florence, under
the auspices of the Medici, became the great metropolis of original
productions. The middle of this century formed the culminating point of
classical enthusiasm, and marked an age of great mental enlargement in
every department of literature. Hallam, referring to the intellectual
pope Nicholas V., in contrast with his famous predecessor Gregory I.,
who denounced ancient learning, says: "These eminent men, like Michael
Angelo's figures of Night and Morning, seem to stand at the two gates
of the middle ages, emblems and heralds of the mind's long sleep, and
of its awakening."
But the greatest glory of this period was the invention of printing,
which will be more particularly noticed under another head. The
influence given to the restoration of letters was not suspended by
the death of Cosmo de Medici, which occurred in 1464. His wealth and
influence over Florence then devolved on his grandson Lorenzo, who
employed his great resources in the most distinguished patronage of
literature and art. His intimate personal friend, Luigi Pulci, was a
leading poet of the modern school, and published the first edition of
his Morgante Maggiore at Venice, in 1481. None of the honor attached
to the invention of printing belongs to Italy, but it is to be noted
how the practical use of that sublime art began on the eastern edge of
the peninsula it was destined to revolutionize. The famous Florentine
ecclesiastic Poggio, devoted himself particularly to the collection of
choice manuscripts, and his exertions were crowned with great success.
Fifty years so employed attested the value of his perseverance and
sagacity. Politian also contributed much to the glory of this epoch.
Public-domain text, read in full here on John Shaqi.
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