Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
preparing an asylum for that terrible Savonarola, who was destined to
dispute the dominion of Florence with his posterity. It was in the
midst of these buildings that those great minds moved, the regenerators
of Europe, "who first broke the universal gloom, sons of the morning."
If the Florentine monuments indicate the revival of science and the
consequent debasement of art, the most impressive proof relative to
this point is presented in the famous church of St. Peter at Rome.
Nothing more pagan in form was ever erected on the seven hills where
roamed the primitive she-wolf. Not as the mausoleum of a Christian
martyr, but as the stupendous temple of some classic deity, it is
doubtless full of surpassing attractions. Nothing was ever done for
Leonidas or Camillus, for Regulus or for Julius Cæsar, in comparison
with this monument to a humble fisherman. But what stranger to the
purpose of its erection would ever think of him in the presence of this
gorgeous shrine? Of the magnificent inscriptions raised to the wise
and mighty of time, the sublimest must yield to that which encircles
the sky-suspended vault of St. Peters. A conqueror of the habitable
world once wept at having reached the limits of his sway; for, vast as
was his ambition, it conceived of no such trophy as is written around
that golden horizon, consigning the keys of heaven to one who ruled
the empire of earth. But before that huge inscription had been raised
to its pride of place, the last great transition of human society in
the age of Leo X. transpired, the most sudden and complete of all
revolutions, the change from the middle age to the modern, from the
world without printed books to the world with them. St. Peters was
coeval with the invention of printing, and the universal revival of
science. Before the sacristy was finished, the splendid endeavors of
Watt had been crowned with success; and in the interval had occurred
the discovery of America and the Reformation. The fall of Catholic
domination and Gothic art was coeval with the ending of that mighty
cycle of mutation wherein the web of society had been unraveled and
rewoven for a yet more auspicious use.
Public-domain text, read in full here on John Shaqi.
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