Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
The functions of humanity are of a social nature; they merge in the
whole species, and have religion for their foundation and centre. If
absolute isolation were possible to man, it would virtually nullify his
existence. Only societies act in and upon the world, with religion for
their bond and protection. Among the nations which have shared in the
work of progress accomplished hitherto, each has exerted an influence
by some characteristic feature, some special function in the general
advance. In addition to the literature, art, science, and philosophy of
the Greeks, we should carefully note the great civilizing might which
dwelt in their religion. This was felt by them to be an infinite and
universal necessity. Without it, the social state is impossible, since
the nature of man demands active progress under a moral law too exalted
to emanate from human will. It must be divinely ordained, and in a way
which clearly indicates the means and end of human perfection. That
alone can create and proclaim the legitimate end of human activity, at
the same time it becomes synonymous with religious morality.
The ideas which obtain among different nations respecting their own
creation, are usually much like themselves. Scandinavians suppose
that they sprang from dense forests on their hills, the Libyans from
the sands of their native deserts, while the Egyptians conceived
themselves to have arisen from the mud of the Nile. But the cheerful
and active Greek associated his origin with the grasshopper, and went
singing on his agile way. A kindred diversity exists in the choice
made by nations as to the objects to be adored. The Egyptians deified
water, the Phrygians earth, the Assyrians air, and the Persians fire.
But the Greek, impelled by nobler instincts, went beyond grosser
natures and deified himself. The mighty conclave shining round the
resplendent heights of Olympus, was only the counterpart of a vast
congregation worshiping below. As Amon or Osiris presides among the
deities of a lower grade, Pan, with the music of his pipe, directs the
chorus of the constellations, and Zeus leads the solemn procession of
celestial troops in the astronomical theology of the Pythagoreans. The
apotheosis of Orpheus, with his harp, in their scientific heavens, is
a starry record of oriental worship sublimated by the devout intellect
of Greece. The nations of antiquity believed that their ancestors
dwelt closely allied to the gods, or were gods themselves. Cadmus
and Cecrops were half human, half divine. The Greeks inherited many
cosmogonical legends from the Hindoos, out of which was composed the
theogony of Hesiod. Thebes rising to the sound of Amphion's lyre, was
the world awakening at the music of the shell of Vishnou. Conflicting
Centaurs and Lapithæ, Titans and giants, are supposed to represent
the elemental discord out of which arose the stability and harmony of
nature.
Public-domain text, read in full here on John Shaqi.
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