Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
The religion of the Greeks was the deification of the faculties and
affections of man. Human character and personality preponderated
therein, but it was neither inert nor wanting in intellect. The
passionless, immovable deities of Egypt and Persia were superseded by
the active and powerful hierarchy of Olympus. Free and independent,
they were presided over by the great conqueror of those blind and deaf
gods of necessity, who had reigned absolutely over all the ancient
East. Under this new dispensation, the various forces of nature were
emancipated and endowed with the affections, and subjected to the
weaknesses, of mortal beings. Fountains, rivers, trees, forests,
mountains, rose into objects of adoration under the form of nymphs,
goddesses, and gods. Social existence was elevated to a corresponding
degree, by the removal of castes, and the sacerdotal despotisms which
had so long impeded the progress of democratic principles in individual
and social life. Preceding nations, of lively sensibility, had
reverenced as deities single rays of the Divine Being separated from
their great centre; but the polytheism which prevailed over adolescent
men, appeared in Hellas invested with a purer majesty. Oriental
polytheism desecrated its altars and temples with images of deformity;
but the West conceived a nobler symbol of divinity, when the Greek
created God in his own image, and seemed to inhale life-giving breath
while he worshiped in the midst of every phenomenon that could refine
his taste or stimulate his imagination. This was utterly inadequate
to the attainment of the great end of spiritual existence; but one
important step in paganism was gained; natural religion, which had
before been absorbed in the immeasurableness of the formless infinite,
became fixed to the eye under the limitations of a cognizable form,
eminently human, but suggestive of the divine. Thus, religion produced
ideality in art, and art fostered enthusiasm in religion. The beauty
and dignity of many altar-statues appeared to have descended from a
higher sphere, and commanded the reverence due to beings of celestial
birth. The earthly was so blended with the heavenly, and visibly
presented, that Plato looked upon the harmony as something complete,
and most ennobling in its power of assimilation. In all the public
enterprises and festal assemblies of the Greeks, a high religious tone
was present which paid homage only to the exalted and the beautiful.
They were of the earth, earthy; but it is impossible not to look back
with respect upon that people whose whole civilization was imbued
with a spirit of renunciation, sublime self-sacrifice, and beneficent
deeds. The magical splendor which yet pours about them, in the depths
of that old world, after so many centuries, is nothing else than the
reflection of their purer worship and nobler stamp of character. Of
all the states, Athens, in this regard, as in every other, was by far
the noblest.
Public-domain text, read in full here on John Shaqi.
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