Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Evidently the first colonizers of Greece brought with them much of the
simple faith and worship recorded in the Hebrew writings. A stone,
or the trunk of a tree, was set up for a memorial, and, according
to the alarm that had been felt, or the deliverance experienced,
on some spot thereby sanctified, worship was offered to that great
Being whose rule all acknowledged, but whose name none ventured to
pronounce. Doubtless the excess of awe, if no more mundane influence,
generated superstition; as the vow of Jephtha had its parallel in the
almost cotemporaneous sacrifice of Iphigenia, and of Polyxena. It was
this barbarous race that the polished and erudite traveler, Orpheus,
endeavored to civilize. Perhaps, as in later times, he imagined that
hidden doctrines would best improve the higher classes; while the minds
of the vulgar would be easier won by fables, and weaned from gloomy
superstitions by the worship of divine benevolence, manifested in the
varied products and powers of nature. The attempt, however, failed,
and the grossness of depraved perceptions converted those different
manifestations into separate deities, so that different localities
and cities came to have their tutelary stone, or wooden idol, or
marble statue. The temple was built on the spot hallowed by devotion,
as at Bethel; but in a subsequent age the impulse of the original
consecration was no longer felt, and its intent was forgotten. The
gorgeous fane, and the fascinating image therein, became objects of
degenerate worship; the source of profit to a mercenary priesthood, and
of deterioration to the most intellectual and moral of mankind.
Public-domain text, read in full here on John Shaqi.
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