Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
The idea of divine omniscience seems to have profoundly actuated the
Greeks in the execution of all their great religious works. It gave
perfection to every part of their edifices, essential and ornamental,
and impressed upon each part alike a feeling purely devotional. What
escaped the human eye, the Deity beheld, and therefore every mass
and molding, frieze and pediment, bas-relief and statue, should be
rendered equally worthy of that immortal Being to whom the edifice was
consecrated. As fine a finish was bestowed upon the hidden portions
as upon the exposed, as is proved by the fragmentary masterpieces we
still possess, the most elaborated features of which were never seen
from below when in their original positions. The material which Athens
employed to eternize her mental conceptions was happily adapted in
texture and tone to the end desired. On one side lay the quarries
of sparkling Phenolic and veined Carystian, and, on the other side,
the pearl-like beauty of Megarean; all of which, impregnated by the
creative genius of the poets, and obedient to the talismanic touch of
the sculptors, came forth from the marble tomb of Attica a new-born
progeny stamped with all the lineaments of their noble parent. Thus,
as the thought of Homer coalesced with the executive might of Phidias
and his associates, the awful gods of his country spread an invincible
palladium over the patriotic citizen, and rendered their terror ever
present to the eyes of treachery and guilt. If the Sphinx, the Centaur,
and Satyr were sometimes demanded by the legendary element of the
ancestral East yet lingering in the national faith, the effort to
subjugate the grotesque to the laws of beauty was no less successful
than it was difficult, and twenty centuries have admired the result.
The corporate religious crafts of India and Egypt were abandoned,
but the divinest element therein was still preserved, and made to
cast a hallowed spell over country and home, making each father the
high priest of his domestic temple, and planting household gods round
every hearth. An all-pervading religious influence was stamped on
every rank of character, every region of nature, every type of art,
and every department of enterprise. It exalted the dauntless courage
of Miltiades, and added energy to the lofty daring of Themistocles,
as they were conscious that the gods from Olympus gazed upon them in
the fight, and were their guardians, as of old they had been to their
ancestors on the plains of Troy.
Public-domain text, read in full here on John Shaqi.
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