Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Nature is most perfect in her forms the higher she ascends; and
man, standing at the apex of her wonders, is appointed to partake
of the divine nature, through the homogeneous medium who bends from
a celestial height for his relief; when so reached and renovated,
the godlike part of the redeemed is molded to a whole of the purest,
holiest, and, therefore, most enchanting harmony. The Greeks had their
idealization of beneficence and atonement set forth in Hercules and
Prometheus. The genealogy of the first was connected with Egypt and
Persia. He was lineally descended from Perseus, whose mortal mother
claimed connection with an Egyptian emigrant. He was the great epic
subject of the poets before Homer, the model chief of those who fought
at Thebes or Troy, and, at a later period, was the allegory of human
effort ascending through rugged valor to the highest virtue. He was
the ideal perfection of the ordinary life of the Greeks, as the higher
exaggeration of heroes, invested with immortality, became gods. Every
pagan nation has had such a mythical being, whose strength or weakness,
victories or defeats, measurably describe the career of the sun through
the seasons. A Scythian, an Etruscan, and a Lydian Hercules existed,
whose legends all became tributary to those of the Greek hero. His name
is supposed to mean _rover_ and _perambulator_ of earth, as
well as _hyperion of the sky_, and he was the patronizing model
of those famous navigators who spread his altars from coast to coast
through the Mediterranean, to the extreme West, where _Arkaleus_
built the city of Gades (Cadiz), on which perpetual fire burned at
his shrine. So deep and pervading were religious sentiments in that
wonderful people at the best epoch, that not only in lowland towns,
and on metropolitan eminences, were temples erected to the national
deities, but also on lofty promontories; near the sea, beneficent
zeal provided fanes exclusively for the casual worship of the passing
mariner. The notion of a suffering deity, of one who, tortured,
blinded, or imprisoned, might represent the earthly speculations of
his worshipers, and, as a penitent, their religious emotions, was
widely spread, from India westward, and by the Greeks was fixed forever
in Prometheus, the ever dying and yet deathless Titan. Ancient sages
taught that the discord of stormy elements would be dissolved and
reduced to peace by the power of love, and the magic of beauty in the
renovated soul would eventually curb its passions with a gentle rein;
but how the infinite should coalesce with the finite, God with man,
and thus transform the soul by planting therein the germ of almighty
blessedness, they never by uninspired wisdom could comprehend. A
mediator of unearthly excellence was indeed requisite; one who would
realize in his person the loftiest ideas of beauty and sublimity, whose
wisdom would be competent to elevate beyond mere morality, and whose
grace would forever unfold the revelation of heavenly life.
Public-domain text, read in full here on John Shaqi.
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