Westward hoboes : $b ups and downs of frontier motoringDixon, Winifred Hawkridge
General
Westward hoboes : $b ups and downs of frontier motoring
Dixon, Winifred Hawkridge
Automobile travel; West (U.S.) -- Description and travel
Bill presented us at the end of a week with a sadder but wiser car, a
little wheezy and water-logged, but still game. When we steered it out
of the garage which had become our second home in Santa Fe, we did not
say good-by to Bill. We couldn’t afford to. On reaching Albuquerque
safely, we sent him a postcard.
“Dear Bill:--The car went beautifully. We wish we could take you with
us!”
CHAPTER XV
LAGUNA AND ACOMA
In spite of Toby’s making the slight error of driving fourteen miles
with the emergency brake on, we seemed to have placed misadventure
behind us for a brief season at least. We coasted the twenty-three
switch backs of La Bajada hill, now an old story, and returned for the
night to the Harvey hotel at Albuquerque, where the transcontinental
traveler gets his first notion of Western heat, and wonders if he is
in any danger from the aborigines selling pottery on the railroad
platforms, and speculates as to whether the legs of the squaws
can possibly fill the thick buckskin leggins they parade in so
nonchalantly. If it is his first visit West, he little realizes how
Harveyized these picturesque creatures have become, and he snatches
eagerly at what he thinks may be his last chance to pick up some
curios. The pottery, from the village of Acoma, is genuine, though
of a tourist quality. The white doeskin legs are also genuine,
although many pueblo women have ceased to wear them except to meet
the twelve o’clock. They always inspire in me an awed respect, worn
under the burning sun with such _sang froid_. The explanation for
this indifference to discomfort lies in the fact that a lady’s social
prominence is gaged by the number of doeskin wrappers she displays, as
the Breton peasant is measured by her heavy petticoats, and a Maori
belle by her tattooing: _il faut souffrir pour être belle_.
Public-domain text, read in full here on John Shaqi.
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