Westward hoboes : $b ups and downs of frontier motoringDixon, Winifred Hawkridge
General
Westward hoboes : $b ups and downs of frontier motoring
Dixon, Winifred Hawkridge
Automobile travel; West (U.S.) -- Description and travel
Many tourists have made the journey across the desert, and the climb
to the mesa’s top, only to be turned back or admitted at exorbitant
fees. Luck was with us. We arrived on a day when the governor and all
the men of the village were at work in the fields of Acomita, and only
the women and children, as on the fateful day when the Enchanted Mesa
was struck, remained in the village. Our guide, being from Laguna,
spoke the dialect of the Acomans, and proved a doughty aid. Hardly
had our heads shown above the rocky stairs when the gray landscape
was suddenly peopled by women and children; the children clad in one
gingham garment, or, if of tender age, in nothing save the proverbial
string of beads, for even the smile was missing from their faces. Most
of the women, short-skirted, with brilliant floating scarves on their
heads, carried babies slung in knotted shawls. Their clamor at sight
of Toby’s camera required no knowledge of Acomese to be recognized as
vituperative. They seemed as anxious to be photographed as a burglar is
to have his thumb-prints taken. They were in fact so uncomplimentary
that we recalled uneasily the Spanish monk who visited the town to
make converts, and was hustled down to the plain by the short trail.
No tourist uses this trail if he can help himself. It leads off the
walled edge of the graveyard into space for three hundred odd feet, and
ends on the rocks below. With great presence of mind the monk made a
parachute of his flowing skirts, and alighted unhurt on the desert.
Wearing khaki breeches, we closed the camera regretfully.
An Indian’s prejudice against the camera arises logically from his
theological belief that nature abhors a duplicate. With keenest powers
of observation, he has noted that no two trees, no two leaves, no
animals, even no blades of grass are exactly alike. Hence, when he
makes a rug, a basket or an _olla_, he never duplicates it absolutely.
Therefore he fears the camera’s facsimile of Nature. If he allows
himself to be photographed, he believes that something of himself
passes into the black box, and thereafter his soul is halved of its
power. If he afterward falls sick, undergoes misfortune or dies, he
attributes it to this sin against an inexorable law of Nature. It all
sounds childishly crude, yet a much respected man named Plato held a
somewhat similar belief.
Public-domain text, read in full here on John Shaqi.
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