Westward hoboes : $b ups and downs of frontier motoringDixon, Winifred Hawkridge
General
Westward hoboes : $b ups and downs of frontier motoring
Dixon, Winifred Hawkridge
Automobile travel; West (U.S.) -- Description and travel
As I cannot leave blank pages where the Canyon should be given its
due, I must be content with skimming along its rim, and dipping here
and there down among its mountain tops, like the abashed little birds
that plunge twitteringly into its silences. It is so great a pity
that most of those who “see” the Canyon do not see it at all. They
arrive one morning, and depart the next. They walk a few rods along
its edge at El Tovar, visit the Hopi house, and hear the Kolb Brothers
lecture. If adventurous, they don overalls or divided skirts, mount a
velvet-faced burro who seems afflicted with a melancholy desire to end
his tourist-harassed existence by a side-step over Bright Angel. They
speak afterward with bated breath--the tourists, not the burros--of
the terrors of a trail which is a boulevard compared to some in the
Canyon. The first moment, it is true, is trying, when it drops away so
steeply that the burro’s ears run parallel with the Colorado, but after
several switchbacks they point heavenward again, until Jacob’s Ladder
is reached. Few trails in the West are so well graded and mended, and
walled on the outside to prevent accident. Being centrally situated,
the Bright Angel gives an open vista of the length and breadth of the
Canyon where the coloring is most brilliant and mountain shapes oddly
fantastic. It is an excellent beginning, but only a beginning after all.
There are so many ways to “do” the Canyon, that vast labyrinth that
could not be “done” in a thousand years! The best way of all is to
take a guide and disappear beneath the rim, following new trails and
old down to the level of the pyramidal peaks, to the plateau midway
between rim and river, then wind in and out of the myriad of small
hilly formations clustering about these great promontories which spread
out from the mainland like fingers from a hand. The river, a tiny red
line when seen from the top, froths and tumbles into an angry torrent
half a mile wide. Its roar, with that of its tributaries, never is out
of one’s consciousness, echoing upon the sounding board of hundreds
of narrow chasms. It is remarkable how soon the world fades into
complete oblivion, and this rock-bound solitude is the only existence
which seems real. I once spent ten days on the plateau. At the end of
a week I had forgotten the names of my most intimate friends, and on
the ninth day I spent several minutes trying to recall my own name. I
was so insignificant a part of those terrific silences, to have a name
hardly seemed worth while. One could forget a great sorrow here within
a month. If I had to die within a stated time, I should want to spend
the interval within the red walls of the Grand Canyon, the transition
to eternity would be so gradual.
[Illustration: IN THE GRAND CANYON OF THE COLORADO.]
[Illustration: A NAVAJO MAID ON A PAINTED PONY.]
Public-domain text, read in full here on John Shaqi.
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