Westward with the Prince of WalesNewton, W. Douglas (Wilfrid Douglas)
History
Westward with the Prince of Wales
Newton, W. Douglas (Wilfrid Douglas)
Canada -- Description and travel; Windsor, Edward, Duke of, 1894-1972
In another part of the grounds is a Japanese garden, with tiny pools
and moon bridges and bamboo arbours--and flowers and flowers and
flowers. And not only does the maker of this enchanted spot throw it
open to the public, but he has built for visitors a delightful chalet
where they can take tea. This chalet is a big, comely hall, with easy
chairs and gate tables. It is provided with all the American
magazines. In a tiny outbuilding is a scullery with cups and saucers
and plates and teapots--all for visitors.
The visitors take their own food, and use these articles. The Chinese
cook at the house near by provides boiling water, and all the owner
asks is that those who use his crockery shall wash it up at the sink
provided, and with the dish-cloths provided, and leave it in readiness
for the next comer.
That generosity is the final and completing touch to the charm of that
exquisite place, which is a veritable "Garden of Allah" amid the
beauties of Canadian scenery.
Another drive was over the Malahat Pass, through superb country, to a
big lumber camp on Shawnigan Lake. Here we saw the whole of the
operations of lumbering from the point where a logger notches a likely
tree for cutting to the final moment when Chinese workmen feed the
great trunks to the steam saw that hews them into beams and planks.
Having selected a tree, the first logger cuts into it a deep wedge
which is to give it direction in its fall. These men show an almost
uncanny skill. They get the line of a great tree with the handle of
their axes, as an artist uses a pencil, and they can cut their notches
so accurately that they can "fall" a tree on a pocket-handkerchief.
Two men follow this expert. They cut smaller notches in the tree, and
insert their "boards" into it. These "boards" have a steel claw which
bites into the tree when the men stand on the board, the idea being
both to raise the cutters above the sprawling roots, and to give their
swing on the saw an elasticity. It is because they cut so high that
Canada is covered with tall stumps that make clearing a problem. The
stumps are generally dynamited, or torn up by the roots by cables that
pass through a block on the top of a tree to the winding-drum of a
donkey-engine.
When the men at the saw have cut nearly through the tree, they sing out
a drawling, musical "Stand aw-ay," gauging the moment with the skill of
woodsmen, for there is no sign to the lay eye. In a few moments the
giant tree begins to fall stiffly. It moves slowly, and then with its
curious rigidity tears swiftly through the branches of neighbouring
trees, coming to the ground with a thump very much like the sound of an
H.E. shell, and throwing up a red cloud of torn bark. The sight of a
tree falling is a moving thing; it seems almost cruel to bring it down.
Public-domain text, read in full here on John Shaqi.
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