The Prince was no stranger to the American journalist. They were old friends of his. Some of them had been with him in the Maritime Provinces of Canada, and he had made friends with them at Quebec. He remembered these writers and that friendship was renewed in a pleasant chat. The journalists liked him, too, though they admit that he has a charming way of disarming them. They rather admired the adroit diplomacy with which he derailed such leading questions as those dealing with the delicate and infinite subject of American girls: whether he liked them: and how much? He met these correspondents quite frankly, appreciating at once the fact that it was through them that he could express to the people of America his intense feeling of thanks for the singular warmth of America's greeting. From seeing all these visitors the Prince had only time left to get into evening dress and to be whirled off in time to attend a glittering dinner given at the Waldorf-Astoria by Mrs. Henry Pomeroy Davidson on behalf of the Council of the American Red Cross. It was a vivid and beautiful function, but it was one that bridged the time before another, and before ten o'clock the Prince was on the move again, and, amid the dance of the motor-bike "cops," was being rushed off to the Metropolitan Opera House. He was swung down Broadway where the advertisements made a fantasy of the sky, a fantasy of rococo beauty where colours on the huge pallets of skyscrapers danced and ran, fused and faded, grouped and regrouped, each a huge and coherent kaleidoscope. Here a gigantic kitten of lights turned a complete somersault in the heavens as it played with a ball of wool. There six sky-high manikins with matchstick limbs, went through an incandescent perpetual and silent dance. In the distance was a gigantic bull advertising tobacco--all down this heavenly vista there were these immense signs, lapping and over-lapping in dazzling chaos. And seen from one angle, high up, unsupported, floating in the very air and eerily unsubstantial, was a temple lit by bale-fires that shone wanly at its base. It was merely a building superimposed upon a skyscraper, but in the dark there was no skyscraper, and the amazing structure hung there lambent, silent, enigmatic, a Wagnerian temple in the sky. Broadway, which sprouts theatres as a natural garden sprouts flowers, was jewelled with lights, lights that in the clear air of this continent shone with a lucidity that we in England do not know. Before the least lighted of these buildings the Prince stopped. He had arrived at the austere temple of the high arts, the Metropolitan Opera House.