And this friendly and soft laughter became really appreciative when they saw him tackle the chairs. There were two imposing and pompous gilt chairs at the front of the box, filling it, elbowing all minor, human chairs out of the way. The Prince turned and looked at them, and turned them out. He would have none of them. He was not there to be a superior person at all; he was there to be human and enjoy human companionship. He had the front of the box filled with chairs, and he had friends in to sit with him and talk with him when intervals in the music permitted. And the audience was his friend for that; they admired him for the way he turned his back on formalities and ceremonials. General Pershing, who gratifies one's romantic sense by being extraordinarily like one's imaginative pictures of a great General, came to sit with him, and there was another outburst of cheering. I think that the _petits morceaux_ from the operas were but side-shows. Although Rosina Galli ravished the house with her dancing (how she must love dancing), opera glasses were swivelled more toward the Royal box than to the stage, and the audience made a close and curious study of every movement and every inflection of the Prince. The cheering broke out again, from people who crowded afresh into the gangways, when the Prince left, and in a mighty wave of friendliness the official program of the first day closed. III There was an unofficial ending to the day. The Prince, with several of his suite, walked in New York, viewed this exhilarating city of lights and vistas by night, got his own private and unformal view of the wonders of skyscraping townscape, the quick, nervous shuttle of the sidewalks, the rattle of the "Elevated," the sight, for the first time in a long journey, of motor-buses. And without doubt he tasted the wonder of a city of automobiles still clinging to the hansom cab. About this outing there have been woven stories of a glamour which might have come from the fancy of O. Henry and the author of the "Arabian Nights" working in collaboration. The Prince is said to have plunged into the bizarre landscape of the Bowery, which is Whitechapel better lighted, and better dressed with up-to-date cafes, where there are dance halls in which with the fathomless seriousness of the modern, jazz is danced to violins and banjoes and the wailing ukelele.