Westward with the Prince of WalesNewton, W. Douglas (Wilfrid Douglas)
History
Westward with the Prince of Wales
Newton, W. Douglas (Wilfrid Douglas)
Canada -- Description and travel; Windsor, Edward, Duke of, 1894-1972
In a minute where there had been a broad open space lined with neat
policemen, there was a swamping mass of Canadians of all ages, and the
Prince was entirely hemmed in. In fact only a free fight of the most
amiable kind got him out of the carriage and on to the dais. The
Marine orderlies, and others of the suite, joined in an attempt to
press the throng back. They could accomplish nothing until the
"Mounties" came to their aid, forced a passage with their horses, and
so permitted the Prince to mount the dais and hear the Mayor say what
the crowd had been explaining for the past ten minutes, that is, how
glad Winnipeg was to see him.
It was the usual function, but varied a little. Winnipeg has not
always been happy in the matter of its water supply, and the day and
the Prince came together to inaugurate a new era. It was accomplished
in the modern manner. The Prince pressed a button on the platform and
water-gates on Shoal Lake outside the city swung open. In a minute or
two a dry fountain in the gardens before the Prince threw up a jet of
water. The new water had come to Winnipeg.
Through big crowds on the sidewalks he passed through an avenue of
fine, tall and modern stores, along Broadway, where the tram-tracks
fringed with grass and trees run down the centre of a wide boulevard
that is edged with lawns and trees, and so to the new Parliament
Buildings.
Here there was a vivid and shining scene before the great white curtain
of a classic building not yet finished.
In the wide forecourt was a mass of children bearing flags, and up the
great flight of steps leading to the impressive Corinthian porch was a
bank of people, jewelled with flags and vivid in gay dresses. Against
the sharp white mass of the building this living, thrilling bed of
humanity made an unforgettable picture.
The ceremony in the spacious entrance hall was also full of the
movement and colour of life. In the massive square hall stairs spring
upward to the gallery on which the Prince stood. On the level of each
floor galleries were cut out of the solid stone of the walls. Crowded
in these galleries were men and women, who looked down the shaft of
this austere chamber upon a grouping of people about the foot of the
cold, white ascending stairs. The strong, clear light added to the
dramatic dignity of the scene.
The groups moved up the white stairs slowly between the ranks of
Highlanders, whose uniforms took on a vividity in the clarified light.
The Prince in Guard's uniform, with his suite in blue and gold and
khaki and red behind him, stood on the big white stage of the
stair-head to receive them. It was a scene that had all the tone and
all the circumstances of an Eastern levee.
But it was a levee with a fleck of humour, also.
As he turned to leave, the Prince noticed beside him a handsome
armchair upholstered in royal blue. It was a strange, lonely chair in
that desert of gallery and standing humanity. It was a chair that
needed explaining.
Public-domain text, read in full here on John Shaqi.
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