He had done both. He was no other than Tom Crowl, a clerk in the
village at one of the lesser dry-goods stores, where the Allens had a
small account. He was one of the mean loafers who were present at the
bar-room scene, and had cheered, and then kicked Gus Elliot, and "laid
for him" in the evening with the "boys." He was one of the upper
graduates of Pushton street-corners, and having spent an idle, vicious
boyhood, truant half the time from school, had now arrived at the
dignity of clerk in a store, that thrived feebly on the scattering
trade that filtered through and past Mr. Hard's larger establishment.
He was one of the worst phases of the male gossip, and had the scent
of a buzzard for the carrion of scandal. The Allens were now the
uppermost theme of the village, for there seemed some mystery about
them. Moreover, the rural dabblers in vice had a natural jealousy of
the more accomplished rakes from the city, which took on something of
the air of virtuous indignation against them. Of course the talk about
Gus and Van Dam included the Allens; and if poor Edith could have
heard the surmises about them in the select coterie of clerks that
gathered after closing hours around Crowl, as the central fountain of
gossip, she would have felt more bitterly than ever that the spirit of
chivalry had utterly forsaken mankind.
When therefore young Crowl saw Edith get on the same train as himself,
he determined to watch her, and startle, if possible, his small squad
of admirers with a new proof of his right to lead as chief scandal-monger. The scene in the jewelry store thus became a brilliant stroke
of fortune to him, though so severe a blow to Edith. (The number of
people who are like wolves, that turn upon and devour one of their
kind when wounded, is not small.) Crowl exultingly saw himself doubly
the hero of the evening in the little room of the loft over the store,
where poor Edith would be discussed that evening over a black bottle
and sundry clay pipes.
Public-domain text, read in full here on John Shaqi.
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