What Cheer; Or, Roger Williams in Banishment: A PoemDurfee, Job
History
What Cheer; Or, Roger Williams in Banishment: A Poem
Durfee, Job
Williams, Roger, 1604?-1683 -- Poetry
_For they were gone to Potowomet’s fires._
The words _Note_ or _Yote_ signified fire; _Potowash_, to make fire;
_Wame_ signified all, and _Et_ is a termination denoting place. If
this be so, it would seem that Potowamet, signified the place of
all the fires, or places where all the tribes assembled and kindled
their council or festal fires. The shell-fish, in which the shores of
Potowomet abound, and the numerous remains of Indian feasts found on
the upland, offer additional proof of the correctness of this inference.
CANTO FOURTH.
STANZA II.
_There bristled darts--there glittered lances sheen._
Lances were arms which distinguished their sachems and other leaders.
At this early period the Indians had scarcely become familiarized to
the use of fire-arms. The French and Dutch had indeed begun to supply
them with these strange implements of death; but the English colonists
had taken every precaution to prevent their being furnished with them.
There were, however, no restraints on the trade of knives, hatchets,
lances, &c.
STANZA XX.
_On settles raised around the mounting blaze
Sit gray Wauontom, Keenomp, Sagamore._
Wauontom, a counsellor; Keenomp, a captain; Sagamore, a chief or sachem.
_Is sage Canonicus._
Williams considered Canonicus, at the time he wrote his Key to the
Indian Languages, about fourscore years old.
STANZA XXI.
_The Neyhom’s mantle did his shoulders grace._
“Neyhomaushunck, a coat or mantle curiously made of the fairest plumes
of the Neyhommauog, or turkies, which commonly their old men make, and
is with them as velvet with us.”--_Williams’ Key._
STANZA XXXIII.
_Yes, ere he came, Pocasset’s martial band
Did at our bidding come to fight the foe,
And the tall warriors of the Nipnet land
Rushed with soft foot to bend our battle bow;
And e’en the dog of Haup did cringing stand
Beside our wigwam, and his tribute show._
Public-domain text, read in full here on John Shaqi.
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