By orders from headquarters every house in the district was closed, shuttered, and pitch dark on the night of the parade. Every door was locked, and the most complete silence reigned within. It was into a city of silence that the procession of nearly five thousand men, women, and young people of both sexes marched on that October midnight. In the glare of red fire and flaming torches, to the confused blare of many Salvation Army brass bands, the quavering of hymn tunes, including the classic, "Where Is My Wandering Boy To-night," and the constant explosion of photographers' flashlights, the long procession stumbled and jostled its way through streets that gave back for answer darkness and silence. But afterwards! The affair had been widely advertised, and it drew a throng of spectators, not only from every quarter of the city, but from every suburb and surrounding country town. Young men brought their sweethearts, their sisters, to see the "show." As "Gypsy" Smith's procession wound its noisy way out of the district, and back into the armory, this great mob of people surged into the streets pruriently eager to watch the awakening of the levee. It came. Lights flashed up in almost every house. The women appeared at the windows and even in the street. Saloon doors were flung open. The sound of pianos and phonographs rose above the clamor of the mob. Pandemonium broke loose as the crowds flung themselves into the saloons and other resorts. The police had to beat people back from the doors with their clubs. A riot, an orgy, impossible to describe, impossible to forget, ensued. Many of those who took part in it had never been in such a district before. This horrible scene somehow typified to my mind the whole blind, chaotic, senseless attitude which society has preserved toward the most baffling of all its problems. Nothing done to prevent the evil, because no one knew what to do. After the evil was an established fact, after the hearts of the victims were thoroughly hardened, after the last hope of return had perished, then a "vice crusade"--led by a man! Another scene witnessed about the same time seems to me to typify the new attitude which society--led by women--is assuming towards its problem. It was in the large kindergarten room of one of the oldest of Chicago's social centers,--the Ely Bates Settlement. A group of little Italian girls, peasant clad in the red and green colors of their native land, swung around the room at a lively pace singing the familiar "Santa Lucia." As the song ended the children suddenly broke into the maddest of dances, a tarantella. Led by a graceful young girl, one of the settlement workers, they danced with the joyous abandon of youthful spirits untrammeled, ending the dance with a chorus of happy laughter.