What I Remember, Volume 1Trollope, Thomas Adolphus
History
What I Remember, Volume 1
Trollope, Thomas Adolphus
Authors, English -- 19th century -- Biography; Trollope, Thomas Adolphus, 1810-1892
The mention above of a “vulgus” requires some explanation. Every
“inferior,” _i.e._ non-prefect, in the school was required every night
to produce a copy of verses of from two to six lines on a given theme;
four or six lines for the upper classes, two for the lowest. This was
independent of a weekly “verse task” of greater length, and was called a
“vulgus,” I suppose, because everybody--the _vulgus_--had to do it. The
prefects were exercised in the same manner but with a difference.
Immediately before going out from morning or from evening school, at the
conclusion of the day’s lesson, the “informator” would give a theme, and
each boy was expected then and there without the assistance of pen,
paper, or any book, to compose a couple, or two couple, of lines, and
give them _vivâ voce_. He got up, and scraped with his foot to call the
master’s attention when he was ready; and as not above five or ten
minutes were available for the business, a considerable degree of
promptitude was requisite. The theory was that these
compositions--“varying” was the term in the case of the prefects, as
“vulgus” in that of the inferiors--should be epigrammatic in their
nature, and that Martial rather than Ovid should be the model. Of course
but little of an epigrammatic nature was for the most part achieved; but
great readiness was made habitual by the practice. And sometimes the
result was creditable to something more than readiness.
I am tempted to give one instance of such a “varying.” It belonged to an
earlier time than mine--the time when _Decus et tutamen_ was adopted as
the motto cut on the rim of the five-shilling pieces. The author of the
“varying” in question had been ill with fever, and his head had been
shaved, causing him to wear a wig. _Decus et tutamen_ was the theme
given. In a minute or two he was ready, stood up, and taking off his
wig, said, “_Aspicite hos crines! duplicem servantur in usum! Hi mihi
tutamen nocte_”--putting the wig on wrong side outwards; “_Dieque
decus_,” reversing it as he spoke the words. The memory of this
“varying” lives--or lived!--at Winchester. But I do not think it has
ever been published, and really it deserves preservation. I wish I could
give the author’s name.
Public-domain text, read in full here on John Shaqi.
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