It is the sense of this rhythm which inspires the child when, in the joy of his heart, he breaks spontaneously into dance and song. To bring the rhythm of the Universe into the daily life of the child, to give free play to his instinctive sense of its all-pervading presence, is one of the highest functions of the teacher. And the more carefully the sense of rhythm is cultivated, the more does it tend to spiritualise itself, and the more profound and more vital is the life which it struggles to interpret and evolve. There is no instinct which is so deeply seated as the musical. It is possible for a child, it is possible for a whole class of children, to sing out of the depths of the soul; and when this happens we may be sure that a fountain of spiritual joy has been unsealed, and that a great and sacred mystery has been unveiled. There is a school in one of the poorest slums of a large town, in which, some two or three years ago, the children were taught to sing, and the teachers to teach singing, by an inspired "master" who believes that to lift the sluices of spiritual feeling is to quicken into ever-increasing activity its hidden springs; and neither the teachers nor the children have yet forgotten their lesson. The children are poor, pale, thin, unkempt, ill-clad, unlovely; but I am told that when they sing their faces are transfigured, and they all become beautiful. Egeria is an accomplished musician, and though Utopia belongs to one of the unmusical counties of England, she has found it easy to awaken the musical instinct in the hearts of its children. A few years ago she introduced the old English Folk Songs and Morris Dances into the school. The children took to them at once as ducklings take to the water; and within a year they were able to give an admirably successful performance of some two dozen songs and dances in the village hall. Some of these had been rehearsed only once; but the children, thanks to their having been systematically trained to educate themselves, are so versatile and resourceful that every item on their programme was a complete success. The Folk Songs and Morris Dances are still the delight of the children. They are ever adding to their repertory of songs; and when they go into the playground for recreation, they at once form into small groups for Morris Dancing, the older children taking the little ones in hand, and initiating them into the pleasures of rhythmical movement. There is another way in which Egeria brings music into the lives of the children. In her own words, she "sets many of their lessons to music." For example, when they are doing needlework or drawing or any other quiet lesson, she plays high-class music to them, which forms a background to their efforts and their thoughts, and which gradually weaves itself, on the one hand into the outward and visible work that they are doing, and on the other hand into the mysterious tissue of their inward life. (5) _The Inquisitive Instinct_.