But what of the child's emotional faculties? Will not the beauty of the Gospel stories, will not the sublimity of the Old Testament poetry, make their own appeal to these? They might do so if they were allowed to exert their spiritual magnetism. But what chance have they? The chilling shadow of the impending examination falls upon them and cancels their educative influence. It is not because the Gospel stories are full of beauty and spiritual meaning that the child has to learn them, but because he will be questioned on them by the Diocesan Inspector. It is not because certain passages from the Old Testament are poetry of a high order that the child commits them to memory, but because he may have to repeat them to the Diocesan Inspector. We cannot serve God and Mammon,--the God of poetry and the inward life, the Mammon of outward results. The thing is not to be done, and the pretence of doing it is a mockery and a fraud. The compulsory preparation of the plays of Shakespeare and other literary masterpieces for a formal examination, too often gives the schoolboy, or the college student, a permanent distaste for English literature. The study of the Ancient Classics for the Oxford "Schools" or the Cambridge "Tripos" too often gives the studious undergraduate a permanent distaste for the literatures of Greece and Rome. Does it not follow _a fortiori_ that to cram a young child, for the purposes of a formal examination, to cram him, year after year, with the idyllic stories of the New Testament and the poetic beauties of the Old, will in all probability go a long way towards blighting in the bud the child's latent capacity for responding to the appeal, not of the Bible alone, but of spiritual poetry as such?