The artist of the future will live the common life of man, earning his
subsistence by some kind of labour. The fruits of that highest spiritual
strength which passes through him he will try to share with the greatest
possible number of people, for in such transmission to others of the
feelings that have arisen in him he will find his happiness and his
reward. The artist of the future will be unable to understand how an
artist, whose chief delight is in the wide diffusion of his works, could
give them only in exchange for a certain payment.
Until the dealers are driven out, the temple of art will not be a
temple. But the art of the future will drive them out.
And therefore the subject-matter of the art of the future, as I imagine
it to myself, will be totally unlike that of to-day. It will consist,
not in the expression of exclusive feelings: pride, spleen, satiety, and
all possible forms of voluptuousness, available and interesting only to
people who, by force, have freed themselves from the labour natural to
human beings; but it will consist in the expression of feelings
experienced by a man living the life natural to all men and flowing from
the religious perception of our times, or of such feelings as are open
to all men without exception.
To people of our circle who do not know, and cannot or will not
understand the feelings which will form the subject-matter of the art of
the future, such subject-matter appears very poor in comparison with
those subtleties of exclusive art with which they are now occupied.
“What is there fresh to be said in the sphere of the Christian feeling
of love of one’s fellow-man? The feelings common to everyone are so
insignificant and monotonous,” think they. And yet, in our time, the
really fresh feelings can only be religious, Christian feelings, and
such as are open, accessible, to all. The feelings flowing from the
religious perception of our times, Christian feelings, are infinitely
new and varied, only not in the sense some people imagine,—not that they
can be evoked by the depiction of Christ and of Gospel episodes, or by
repeating in new forms the Christian truths of unity, brotherhood,
equality, and love,—but in that all the oldest, commonest, and most
hackneyed phenomena of life evoke the newest, most unexpected and
touching emotions as soon as a man regards them from the Christian point
of view.
What can be older than the relations between married couples, of parents
to children, of children to parents; the relations of men to their
fellow-countrymen and to foreigners, to an invasion, to defence, to
property, to the land, or to animals? But as soon as a man regards these
matters from the Christian point of view, endlessly varied, fresh,
complex, and strong emotions immediately arise.
Public-domain text, read in full here on John Shaqi.
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