In the ditch, where the ounce and the pard have their lair,
Our heroes have rolled in an angry embrace;
Their skin blooms on brambles that erewhile were bare.
That ravine is a friend-inhabited hell!
Then let us roll in, oh woman inhuman,
To immortalise hatred that nothing can quell!
FROM BAUDELAIRE’S PROSE WORK ENTITLED “LITTLE POEMS.”
THE STRANGER.
Whom dost thou love best? say, enigmatical man—thy father, thy mother,
thy brother, or thy sister?
“I have neither father, nor mother, nor sister, nor brother.”
Thy friends?
“You there use an expression the meaning of which till now remains
unknown to me.”
Thy country?
“I ignore in what latitude it is situated.”
Beauty?
“I would gladly love her, goddess and immortal.”
Gold?
“I hate it as you hate God.”
Then what do you love, extraordinary stranger?
“I love the clouds ... the clouds that pass ... there ... the marvellous
clouds!”
BAUDELAIRE’S PROSE POEM,
THE SOUP AND THE CLOUDS.
My beloved little silly was giving me my dinner, and I was
contemplating, through the open window of the dining-room, those moving
architectures which God makes out of vapours, the marvellous
constructions of the impalpable. And I said to myself, amid my
contemplations, “All these phantasmagoria are almost as beautiful as the
eyes of my beautiful beloved, the monstrous little silly with the green
eyes.”
Suddenly I felt the violent blow of a fist on my back, and I heard a
harsh, charming voice, an hysterical voice, as it were hoarse with
brandy, the voice of my dear little well-beloved, saying, “Are you going
to eat your soup soon, you d—— b—— of a dealer in clouds?”
BAUDELAIRE’S PROSE POEM,
THE GALLANT MARKSMAN.
As the carriage was passing through the forest, he ordered it to be
stopped near a shooting-gallery, saying that he wished to shoot off a
few bullets to _kill_ Time. To kill this monster, is it not the most
ordinary and the most legitimate occupation of everyone? And he
gallantly offered his arm to his dear, delicious, and execrable
wife—that mysterious woman to whom he owed so much pleasure, so much
pain, and perhaps also a large part of his genius.
Several bullets struck far from the intended mark—one even penetrated
the ceiling; and as the charming creature laughed madly, mocking her
husband’s awkwardness, he turned abruptly towards her and said, “Look at
that doll there on the right with the haughty mien and her nose in the
air; well, dear angel, _I imagine to myself that it is you_!” And he
closed his eyes and pulled the trigger. The doll was neatly decapitated.
Then, bowing towards his dear one, his delightful, execrable wife, his
inevitable, pitiless muse, and kissing her hand respectfully, he added,
“Ah! my dear angel, how I thank you for my skill!”
Public-domain text, read in full here on John Shaqi.
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