At four-thirty the nose had changed its shape considerably, and the
altered slant of the sun had revealed and made conspicuous a huge
buttress or barrier of naked rock which was so located as to answer
very well for a shoulder or coat-collar to this swarthy and indiscreet
sweetheart who had stolen out there right before everybody to pillow
his head on the Virgin’s white breast and whisper soft sentimentalities
to her in the sensuous music of the crashing ice-domes and the boom and
thunder of the passing avalanche—music very familiar to his ear, for he
has heard it every afternoon at this hour since the day he first came
courting this child of the earth, who lives in the sky, and that day is
far, yes—for he was at this pleasant sport before the Middle Ages
drifted by him in the valley; before the Romans marched past, and
before the antique and recordless barbarians fished and hunted here and
wondered who he might be, and were probably afraid of him; and before
primeval man himself, just emerged from his four-footed estate, stepped
out upon this plain, first sample of his race, a thousand centuries
ago, and cast a glad eye up there, judging he had found a brother human
being and consequently something to kill; and before the big saurians
wallowed here, still some eons earlier. Oh yes, a day so far back that
the eternal son was present to see that first visit; a day so far back
that neither tradition nor history was born yet and a whole weary
eternity must come and go before the restless little creature, of whose
face this stupendous Shadow Face was the prophecy, would arrive in the
earth and begin his shabby career and think it a big thing. Oh, indeed
yes; when you talk about your poor Roman and Egyptian
day-before-yesterday antiquities, you should choose a time when the
hoary Shadow Face of the Jungfrau is not by. It antedates all
antiquities known or imaginable; for it was here the world itself
created the theater of future antiquities. And it is the only witness
with a human face that was there to see the marvel, and remains to us a
memorial of it.
By 4:40 P.M. the nose of the shadow is perfect and is beautiful. It is
black and is powerfully marked against the upright canvas of glowing
snow, and covers hundreds of acres of that resplendent surface.
Meantime shadow No. 2 has been creeping out well to the rear of the
face west of it—and at five o’clock has assumed a shape that has rather
a poor and rude semblance of a shoe.
Meantime, also, the great Shadow Face has been gradually changing for
twenty minutes, and now, 5 P.M., it is becoming a quite fair portrait
of Roscoe Conkling. The likeness is there, and is unmistakable. The
goatee is shortened, now, and has an end; formerly it hadn’t any, but
ran off eastward and arrived nowhere.
Public-domain text, read in full here on John Shaqi.
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