The spirit of Venice is there: of a city where Age and Decay, fagged
with distributing damage and repulsiveness among the other cities of
the planet in accordance with the policy and business of their
profession, come for rest and play between seasons, and treat
themselves to the luxury and relaxation of sinking the shop and
inventing and squandering charms all about, instead of abolishing such
as they find, as is their habit when not on vacation.
In the working season they do business in Boston sometimes, and a
character in _the undiscovered country_ takes accurate note of pathetic
effects wrought by them upon the aspects of a street of once dignified
and elegant homes whose occupants have moved away and left them a prey
to neglect and gradual ruin and progressive degradation; a descent
which reaches bottom at last, when the street becomes a roost for
humble professionals of the faith-cure and fortune-telling sort.
What a queer, melancholy house, what a queer, melancholy street! I
don’t think I was ever in a street before where quite so many
professional ladies, with English surnames, preferred Madam to Mrs. on
their door-plates. And the poor old place has such a desperately
conscious air of going to the deuce. Every house seems to wince as you
go by, and button itself up to the chin for fear you should find out it
had no shirt on—so to speak. I don’t know what’s the reason, but these
material tokens of a social decay afflict me terribly; a tipsy woman
isn’t dreadfuler than a haggard old house, that’s once been a home, in
a street like this.
Mr. Howells’s pictures are not mere stiff, hard, accurate photographs;
they are photographs with feeling in them, and sentiment, photographs
taken in a dream, one might say.
As concerns his humor, I will not try to say anything, yet I would try,
if I had the words that might approximately reach up to its high place.
I do not think any one else can play with humorous fancies so
gracefully and delicately and deliciously as he does, nor has so many
to play with, nor can come so near making them look as if they were
doing the playing themselves and he was not aware that they were at it.
For they are unobtrusive, and quiet in their ways, and well conducted.
His is a humor which flows softly all around about and over and through
the mesh of the page, pervasive, refreshing, health-giving, and makes
no more show and no more noise than does the circulation of the blood.
Public-domain text, read in full here on John Shaqi.
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