Martyrdom gilded with notoriety has its fascinations. Within one week
afterward four young lightweights in the village proclaimed themselves
abolitionists! In life Hardy had not been able to make a convert;
everybody laughed at him; but nobody could laugh at his legacy. The
four swaggered around with their slouch-hats pulled down over their
faces, and hinted darkly at awful possibilities. The people were
troubled and afraid, and showed it. And they were stunned, too; they
could not understand it. “Abolitionist” had always been a term of shame
and horror; yet here were four young men who were not only not ashamed
to bear that name, but were grimly proud of it. Respectable young men
they were, too—of good families, and brought up in the church. Ed
Smith, the printer’s apprentice, nineteen, had been the head
Sunday-school boy, and had once recited three thousand Bible verses
without making a break. Dick Savage, twenty, the baker’s apprentice;
Will Joyce, twenty-two, journeyman blacksmith; and Henry Taylor,
twenty-four, tobacco-stemmer—were the other three. They were all of a
sentimental cast; they were all romance-readers; they all wrote poetry,
such as it was; they were all vain and foolish; but they had never
before been suspected of having anything bad in them.
They withdrew from society, and grew more and more mysterious and
dreadful. They presently achieved the distinction of being denounced by
names from the pulpit—which made an immense stir! This was grandeur,
this was fame. They were envied by all the other young fellows now.
This was natural. Their company grew—grew alarmingly. They took a name.
It was a secret name, and was divulged to no outsider; publicly they
were simply the abolitionists. They had pass-words, grips, and signs;
they had secret meetings; their initiations were conducted with gloomy
pomps and ceremonies, at midnight.
They always spoke of Hardy as “the Martyr,” and every little while they
moved through the principal street in procession—at midnight,
black-robed, masked, to the measured tap of the solemn drum—on
pilgrimage to the Martyr’s grave, where they went through with some
majestic fooleries and swore vengeance upon his murderers. They gave
previous notice of the pilgrimage by small posters, and warned
everybody to keep indoors and darken all houses along the route, and
leave the road empty. These warnings were obeyed, for there was a skull
and crossbones at the top of the poster.
Public-domain text, read in full here on John Shaqi.
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