For a minute or two they stood and stared at one another blankly, those unacknowledged half-brothers, of whom one now knew, while the other still ignored, the real relationship that existed between them. Then Granville Kelmscott turned away without one word of greeting. Guy trembled in his shame. He knew he was discovered. But before his very eyes, Granville took the paper he had been reading by that uncertain light, and, raising it high in his hand, flung it over into the sea with spasmodic energy. It was the special edition containing the account of the man McGregor's death and Guy Waring's supposed connection with the murder. Granville Kelmscott, indeed, couldn't bring himself to denounce his own half-brother. He stared at him coldly for a second with a horrified face. Then he said, in a very low and distant voice, "I know your identity, Mr. Billington," with a profoundly sarcastic accent on the assumed name, "and I will not betray it. I know your secret, too; and I will keep that inviolate. Only, during the rest of this voyage, do me the honour, I beg of you, not to recognise me or speak to me in any way at any time." Guy slunk away in silence to his own cabin. Never before in his life had he known such shame. He felt that his punishment was indeed too heavy for him. CHAPTER XXVII. SOMETHING TO THEIR ADVANTAGE. At Tilgate and Chetwood next morning, two distinguished households were thrown into confusion by the news in the papers. To Colonel Kelmscott and to Elma Clifford alike that news came with crushing force and horror. A murder, said the Times, had been committed in Devonshire, in a romantic dell, on the skirts of Dartmoor. No element of dramatic interest was wanting to the case; persons, place, and time were all equally remarkable. The victim of the outrage was Mr. Montague Nevitt, confidential clerk to Messrs. Drummond, Coutts, and Barclay, the well-known bankers, and himself a familiar figure in musical society in London. The murderer was presumably a young journalist, Mr. Guy Waring, not unknown himself in musical circles, and brother of that rising landscape painter, Mr. Cyril Waring, whose pictures of wild life in forest scenery had lately attracted considerable attention at the Academy and the Grosvenor. Mr. Guy Waring had been arrested the day before on the pier at Dover, where he had just arrived by the Ostend packet. It was supposed by the police that he had hastily crossed the Channel from Plymouth to Cherbourg, soon after the murder, to escape detection, and, after journeying by cross-country routes through France and Belgium, had returned via Ostend to the shores of England. It was a triumphant vindication of our much maligned detective system that within a few hours after the discovery of the body on Dartmoor, the supposed criminal should have been recognised, arrested, and detained among a thousand others, in a busy port, at the very opposite extremity of southern England.