Cyril saw it all now beyond the shadow of a doubt. He reconstructed
the whole sad tale. He was sure he understood it. But to understand
it was hardly even yet to believe it. Guy had lost heavily in the
Rio Negro Mines, as the prosecution declared; in an evil hour he'd
been cajoled into forging Cyril's name for six thousand. Montague
Nevitt had in some way misappropriated the stolen sum. Guy had
pursued him in a sudden white-heat of fury, had come up with him
unawares, had killed him in his rage, and now calmly returned as
much as he could recover of that fateful and twice-stolen money to
Cyril. It was all too horrible, but all too true. In a wild ferment
of remorse for his brother's sin, the unhappy painter sat down at
once and penned a letter of abject self-humiliation to Elma Clifford.
"ELMA,-I said to you last night that I could never marry you till
I had clearly proved my brother Guy's innocence. Well, I said what
I can never conceivably do. Since returning to town I received a
letter from Guy himself. What it contained I must never tell you,
for Guy's own sake. But what I MUST tell you is this--I can never
again see you. Guy and I are so nearly one, in every nerve and
fibre of our being, that whatever he may have done is to me almost
as if I myself had done it. You will know how terrible a thing it
is for me to write these words, but for YOUR sake I can't refrain
from writing them. Think no more of me. I am not worthy of you.
I will think of you as long as I live.
"Your ever devoted and heart-broken
"CYRIL."
He folded the letter, and sent it off to the temporary address at
the West-End where Elma had told him that she and her mother would
spend the night in London. Very late that evening a ring came at
the bell. Cyril ran to the door. It was a boy with a telegram. He
opened it, and read it with breathless excitement.
"Whatever Guy may have said, you are quite mistaken. There's a
mystery somewhere. Keep his letter and show it to me. I may, perhaps,
be able to unravel the tangle. I'm more than ever convinced that
what I said to you last night was perfectly true. We will save him
yet. Unalterably,
"ELMA."
But the telegram brought little peace to Cyril. Of what value were
Elma's vague intuitions now, by the side of Guy's own positive
confession? With his very own hand Guy admitted that he had done
it. Cyril went to bed that night, the unhappiest, loneliest man
in London. What Guy was, he was. He felt himself almost like the
actual murderer.
CHAPTER XXXI.
"GOLDEN JOYS."
Public-domain text, read in full here on John Shaqi.
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