Oh, it was wrong of Miss Ewes to tempt her like
this! It was wrong, so wrong of her! For Elma knew what it was at
once--the song she had heard running vaguely through her head the
night of the dance--the night she fell in love with Cyril Waring.
With a throbbing heart, Elma sat down on the sofa, and tried with
all her might and main not to listen, She clasped her hands still
tighter. She refused to be wrought up. She wouldn't give way to it.
If she had followed her own impulse, to be sure, she would have
risen on the spot and danced that mad dance once more with all the
wild abandonment of an almeh or a Zingari. But she resisted with
all her might. And she resisted successfully.
Miss Ewes, never faltering, kept her keen eye fixed hard on her
with a searching glance, as she ran over the keys in ever fresh
combinations.
Faster, wilder, and stranger the music rose; but Elma sat still,
her breast heaving hard, and her breath panting, yet otherwise as
still and motionless as a statue. She knew Miss Ewes could tell
exactly how she felt. She knew she was trying her; she knew she
was tempting her to get up and dance; and yet, she was not one
bit afraid of this strange weird woman, as she'd been afraid that
sad morning at home of her own mother.
The composer went on fiercely for some minutes more, leaning close
over the keyboard, and throwing her very soul, as Elma could plainly
see, into the tips of her fingers. Then, suddenly she rose, and
came over, well pleased, to the sofa where Elma sat. With a motherly
gesture, she took Elma's hand; she smoothed her dark hair; she bent
down with a tender look, in those strange grey eyes, and printed
a kiss unexpectedly on the poor girl's forehead.
"Elma," she said, leaning over her, "do you know what that was?
That was the Naga Snake Dance. It gave you an almost irresistible
longing to rise, and hold the snake in your own hands, and coil
his great folds around you. I could see how you felt. But you were
strong enough to resist. That was very well done. You resisted
even the force of my music, didn't you?"
Elma, trembling all over, but bursting with joy that she could speak
of it at last without restraint to somebody, answered, in a very
low and tremulous voice, "Yes, Miss Ewes, I resisted it."
Miss Ewes leant back in her place, and gazed at her long, with a
very affectionate and motherly air. "Then I'm sure I don't know,"
she said at last, breaking out in a voice full of confidence, "why
on earth you shouldn't marry this young man you're in love with!"
Elma's heart beat still harder and higher than ever.
"What young man?" she murmured low--just to test the enchantress.
And Miss Ewes made answer, without one moment's hesitation, "Why,
of course, Cyril Waring!"
For a minute or two then, there was a dead silence. After that,
Miss Ewes looked up and spoke again. "Have you felt it often?"
she asked, without one word of explanation.
Public-domain text, read in full here on John Shaqi.
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