That same evening, when Elma went up to bed, a strange longing
came across her to sit up late, and think over to herself again all
the painful details of the morning's interview. She seated herself
by her bedside in her evening dress, and began to think it all
out again, exactly as it happened. As she did so, the picture of
Sardanapalus, on his bed of fern, came up clear in her mind, just
as he lay coiled round in Cyril Waring's landscape. Beautiful
Sardanapalus, so sleek and smooth and glossy, if only she had him
here now--she paused and hesitated. In a moment, the wild impulse
rushed upon her once more. It clutched her by the throat; it held
her fast as in a vice. She must get up and dance; she must obey
the mandate; she must whirl till she fell in that mystical ecstasy.
She rose, and seemed for a moment as though she must yield to the
temptation. The boa--the boa was in the lower drawer. Reluctantly,
remorsefully, she opened the drawer and took it out in her hands.
Fluff and feathers, fluff and feathers--nothing more than that!
But oh, how soft, how smooth, how yielding, how serpentine! With
a violent effort she steadied herself, and looked round for her
scissors. They lay on the dressing-table. She took them up with a
fixed and determined air. "If thy right hand offend thee, cut it
off," she thought to herself. Then she began ruthlessly hacking
the boa into short little lengths of a few inches each, which she
gathered up in her hands as soon as she had finished, and replaced
with care in the drawer where she had originally found them.
After that her mind felt somewhat more at ease and a trifle less
turbulent. She loved Cyril Waring--oh yes, she loved him with all
her heart; it was hard to give him up; hard not to yield to that
pressing impulse in such a moment of doubt and despondency. The
boa had said to her, as it were, "Come, dance, go mad, and forget
your trouble!" But she had resisted the temptation. And now--
Why, now, she would undress, and creep into bed, like any other good
English girl under similar circumstances, and cry herself asleep
with thoughts of Cyril.
And so she did in truth. She let her emotion take its natural outlet.
She lay awake for an hour or two, till her eyes were red and sore
and swollen. Then at last she dropped off, for very weariness, and
slept soundly an unbroken sleep till morning.
At eight o'clock, Mrs. Clifford knocked her tentative little knock
at the door. "Come in, mother," Elma cried, starting up in her
surprise; and her mother, much wondering, turned the handle and
entered.
When she reached the bed, she gave a little cry of amazement. "Why,
Elma," she exclaimed, staring her hard and long in the face; "my
darling, what's this? Your eyes are red! How strange! You've been
crying!"
Public-domain text, read in full here on John Shaqi.
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