sensibly; but how is she to guard money if there is no money to guard? The child ought to look on his mother as a fountain of natural fun and poetry; but how can he unless the fountain, like other fountains, is allowed to play? What chance have any of these ancient arts and functions in a house so hideously topsy-turvy; a house where the woman is out working and the man isn’t; and the child is forced by law to think his schoolmaster’s requirements more important than his mother’s? No, Gudge and his friends in the House of Lords and the Carlton Club must make up their minds on this matter, and that very quickly. If they are content to have England turned into a beehive and an ant-hill, decorated here and there with a few faded butterflies playing at an old game called domesticity in the intervals of the divorce court, then let them have their empire of insects; they will find plenty of Socialists who will give it to them. But if they want a domestic England, they must “shell out,” as the phrase goes, to a vastly greater extent than any Radical politician has yet dared to suggest; they must endure burdens much heavier than the Budget and strokes much deadlier than the death duties; for the thing to be done is nothing more nor less than the distribution of the great fortunes and the great estates. We can now only avoid Socialism by a change as vast as Socialism. If we are to save property, we must distribute property, almost as sternly and sweepingly as did the French Revolution. If we are to preserve the family we must revolutionize the nation. ***** IV. A LAST INSTANCE And now, as this book is drawing to a close, I will whisper in the reader’s ear a horrible suspicion that has sometimes haunted me: the suspicion that Hudge and Gudge are secretly in partnership. That the quarrel they keep up in public is very much of a put-up job, and that the way in which they perpetually play into each other’s hands is not an everlasting coincidence. Gudge, the plutocrat, wants an anarchic industrialism; Hudge, the idealist, provides him with lyric praises of anarchy. Gudge wants women-workers because they are cheaper; Hudge calls the woman’s work “freedom to live her own life.” Gudge wants steady and obedient workmen, Hudge preaches teetotalism--to workmen, not to Gudge--Gudge wants a tame and timid population who will never take arms against tyranny; Hudge proves from Tolstoi that nobody must take arms against anything. Gudge is naturally a healthy and well-washed gentleman; Hudge earnestly preaches the perfection of Gudge’s washing to people who can’t practice it. Above all, Gudge rules by a coarse and cruel system of sacking and sweating and bi-sexual toil which is totally inconsistent with the free family and which is bound to destroy it; therefore Hudge, stretching out his arms to the universe with a prophetic smile, tells us that the family is something that we shall soon gloriously outgrow.