They all draw up in a line, and work from morning to evening in the
burning sun of June. It is steaming hot and a thunder-shower is
threatening. Every moment of work is precious. They have not wished to
leave off working even to fetch water or kvas. A small boy, the grandson
of the old woman, brings them water. The old woman is evidently anxious
only on one point,--not to be sent away from work. She does not let the
rake out of her hands, and moves about with great difficulty. The little
boy, quite bent under the jug with water, heavier than himself, walks
with short steps on his bare feet, and carries the jug with many shifts.
The little girl takes on her shoulders a load of hay which is also
heavier than herself; walks a few paces, and stops, then throws it down,
having no strength to carry it farther. The old man's wife rakes
together unceasingly, her kerchief loosened from her disordered hair;
she carries the hay, breathing heavily and staggering under the burden:
the cobbler's mother is only raking, but this is also beyond her
strength; she slowly drags her feet, in baste shoes, and looks gloomily
before her, like one very ill, or at the point of death. The old man
purposely sends her far away from the others, to rake about the ricks,
in order that she may not attempt to compete with them; but she does not
leave off working, but continues with the same dead gloomy face as long
as the others.
The sun is already setting behind the wood and the ricks are not yet in
order: there is much still to be done.
All feel that it is time to leave off working but no one says so; each
waiting for the other to suggest it. At last, the cobbler, realizing
that he has no more strength left, proposes to the old man to leave the
ricks till to-morrow, and the old man agrees to it; and at once the
women go to fetch their clothes, their jugs, their pitchforks; and the
old woman sits down where she was standing, and then lays herself down
with the same fixed stare on her face. But as the women go away she gets
up groaning, and, crawling along, follows them.
Let us turn to the country-house. The same evening, when from the side
of the village were heard the rattle of the scythes of the toil-worn
mowers who were returning from work, the sounds of the hammer against
the anvil, the cries of women and girls who had just had time to put
away their rakes, and were already running to drive the cattle in,--with
those blend other sounds from the country-house. Rattle, rattle, goes
the piano; a Hungarian song is heard through the noise of the
croquet-balls; before the stable an open carriage is standing harnessed
with four fat horses, which has been hired for twenty shillings to bring
some guests a distance of ten miles.
Public-domain text, read in full here on John Shaqi.
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