What the Swallow Sang: A NovelSpielhagen, Friedrich
General
What the Swallow Sang: A Novel
Spielhagen, Friedrich
Fiction
"Who can say that? Who is so wise that he can read upon the brow of any
human being the thoughts that are passing within, without ever
deceiving himself or making another's face the mirror of his own
beloved vanity? But we have fallen into a very disagreeable
conversation. Tell me, instead, where you are going when you leave
here, and where you expect to live in future? You will not return to
Italy? It seems to me you told me so a short time ago."
"Thanks for your interest in me," replied Gotthold, with trembling
lips; "but I have made no definite plans as yet. When I left Rome, it
was certainly with the desire to remain here in the North, at least for
some time, and try whether home could ever become home again to me; but
the attempt will probably not succeed, nay, I think has already
failed."
"It seems to me that this is rather too soon to decide such a
question," said Cecilia; "but the matter is probably of importance only
to us; you fortunate artists have your home in your art, and you take
that with you wherever you turn your steps."
"And yet, I think, we can have our art only at home," replied Gotthold.
"That is?"
"That is, that only in his home can the artist reach the highest point
his talents will enable him to attain. I have formed this conclusion
from the history of all arts, which have only prospered when the
artists had the good fortune to be supplied with subjects furnished by
the country of which they were citizens and the time in which they
lived-for in this sense, time is also the artist's home: I mean: when
they had the good fortune, and of course the power also, to be able to
freely develop their talents on their native soil, and upon subjects
furnished by their home. I have also drawn this inference from my own
observation, which has taught me that those who were unable to find any
materials for their art at home--subjects identified with the place and
time--were no true artists, but either dilettanti and imitators, or
positive charlatans, who deceived with their artificial productions,
destitute alike of life and merit, only the great multitude--the
beggarly crowd--to which they, in the inmost depths of their natures,
certainly belonged."
When Gotthold first began to speak upon this subject, which at that
moment was very far from his thoughts, he had only wished to soothe the
tumult of his soul, or at least to conceal it from the pale woman by
his side; then, carried away by the theme, he had spoken with a certain
earnestness, and at last with a freedom of which, a moment before, he
would not have believed himself capable. And so, at first absently, but
gradually with more eagerness, Cecilia had listened; a ray of the old
fire flashed from her dark eye as she asked,
"And does this apply to you?"
Public-domain text, read in full here on John Shaqi.
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