According to a writer in the _Gentleman's Magazine_ (No. 70, July, 1800), who signs himself "Architect," in a print of the time of James I. the tapestry is not seen, and the House "appears to have preserved much of its original work." The only print answering to this description which I have been able to find exhibits the windows, but is of no value for historical purposes, as it is a reproduction of one of the time of Queen Elizabeth, the figure of the sovereign alone being changed. This engraving is said to be "taken from a painted print in the Cottonian Library," of which I can find no trace. [B. Mus., K. 24. 19. b.] To the left of our illustration is seen the gable of the Prince's Chamber. The door to the right of this opened into the cellar, and by it, according to tradition, Faukes was to have made his exit. In front of this is seen part of the garden attached to Percy's lodging. _Interior of "Guy Faukes' Cellar"_ (p. 71). Two views of the interior of the "cellar," drawn by H. W. Brewer, from elevations in J.T. Smith's _Antiquities of Westminster_, p. 39. The remains of a buttery-hatch, at the southern end, testify to the ancient use of the chamber as the palace kitchen; of which the Earl of Northampton made mention at Father Garnet's trial. The very ancient doorway in the eastern wall, seen on the left of the picture, was of Saxon workmanship, and, like the foundations beneath, probably dated from the time of Edward the Confessor, who first erected this portion of the palace, most of which had been rebuilt about the time of Henry III. By this doorway, according to some accounts, Faukes intended to escape after firing the train, though others assign this distinction to one near the other end. These two illustrations were originally prepared for the _Daily Graphic_ of November 5th, 1894, and it is by the courtesy of the proprietors of that journal that they are here reproduced. _Vault under the East End of the Painted Chamber_ (p. 73). From Brayley and Britton's _Palace of Westminster_, p. 247. This has been constantly depicted and described as "Guy Faukes' Cellar." _Arches from Guy Faukes' Cellar_ (p. 75). Drawn for the author by H. W. Brewer. Sir John Soane, who in 1823 took down the old House of Lords, removed the arches from the "cellar" beneath it, to his own house in Lincoln's Inn Fields, now the Soane Museum, where they are still to be seen in a small court adjoining the building. They do not, however, appear to have been set up precisely in their original form, being dwarfed by the omission of some stones, presumably that they might occupy less space. In our illustration they are represented exactly as they now stand, with the modern building behind them. Some incongruous relics of other stonework which have been introduced amongst them have, however, been omitted. The architecture of these arches, and of the adjacent Prince's Chamber, assigns them to the best period of thirteenth century Gothic.