What Will He Do with It? — CompleteLytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
“Thank me!--what for?”
“For a kind thought. So, then, you like the boy?”
“Mayn’t I like him?” asked Fairthorn, looking rather frightened; “surely
you do!”
“Yes, I like him much; I am trying my best to love him. But,
but”--Darrell turned quickly, and the portrait of his father over
the mantelpiece came full upon his sight,--an impressive, a haunting
face,--sweet and gentle, yet with the high narrow brow and arched
nostril of pride, with restless melancholy eyes, and an expression
that revealed the delicacy of intellect, but not its power. There was
something forlorn, but imposing, in the whole effigy. As you continued
to look at the countenance, the mournful attraction grew upon you. Truly
a touching and a most lovable aspect. Darrell’s eyes moistened.
“Yes, my father, it is so!” he said softly. “All my sacrifices were in
vain. The race is not to be rebuilt! No grandchild of yours will succeed
me,--me, the last of the old line! Fairthorn, how can I love that boy?
He may be my heir, and in his veins not a drop of my father’s blood!”
“But he has the blood of your father’s ancestors; and why must you
think of him as your heir?--you, who, if you would but go again into the
world, might yet find a fair wi--”
With such a stamp came Darrell’s foot upon the floor that the holy and
conjugal monosyllable dropping from Fairthorn’s lips was as much cut in
two as if a shark had snapped it. Unspeakably frightened, the poor man
sidled away, thrust himself behind a tall reading-desk, and, peering
aslant from that covert, whimpered out, “Don’t, don’t now, don’t be so
awful; I did not mean to offend, but I’m always saying something I did
not mean; and really you look so young still” (coaxingly), “and, and--”
Darrell, the burst of rage over, had sunk upon a chair, his face bowed
over his hands, and his breast heaving as if with suppressed sobs.
The musician forgot his fear; he sprang forward, almost upsetting
the tall desk; he flung himself on his knees at Darrell’s feet, and
exclaimed in broken words, “Master, master, forgive me! Beast that I
was! Do look up--do smile or else beat me--kick me.”
Darrell’s right hand slid gently from his face, and fell into
Fairthorn’s clasp.
“Hush, hush,” muttered the man of granite; “one moment, and it will be
over.”
One moment! That might be but a figure of speech; yet before Lionel had
finished half the canto that was plunging him into fairyland, Darrell
was standing by him with his ordinary tranquil mien; and Fairthorn’s
flute from behind the boughs of a neighbouring lime-tree was breathing
out an air as dulcet as if careless Fauns still piped in Arcady, and
Grief were a far dweller on the other side of the mountains, of whom
shepherds, reclining under summer leaves, speak as we speak of hydras
and unicorns, and things in fable.
Public-domain text, read in full here on John Shaqi.
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