What Will He Do with It? — CompleteLytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Left alone, the child breathed long and hard, pressing her hands to her
bosom, and sank wearily on the foot of the bed. There were no shutters
to the window, and the moonlight came in gently, stealing across that
part of the wall and floor which the ray of the candle left in shade.
The girl raised her eyes slowly towards the window,--towards the glimpse
of the blue sky, and the slanting lustre of the moon. There is a certain
epoch in our childhood, when what is called the romance of sentiment
first makes itself vaguely felt. And ever with the dawn of that
sentiment the moon and the stars take a strange and haunting
fascination. Few persons in middle life-even though they be genuine
poets--feel the peculiar spell in the severe stillness and mournful
splendour of starry skies which impresses most of us, even though no
poets at all, in that mystic age when Childhood nearly touches upon
Youth, and turns an unquiet heart to those marvellous riddles within us
and without, which we cease to conjecture when experience has taught us
that they have no solution upon this side the grave. Lured by the light,
the child rose softly, approached the window, and, resting her upturned
face upon both hands, gazed long into the heavens, communing evidently
with herself, for her lips moved and murmured indistinctly. Slowly she
retired from the casement, and again seated herself at the foot of the
bed, disconsolate. And then her thoughts ran somewhat thus, though she
might not have shaped them exactly in the same words: “No, I cannot
understand it. Why was I contented and happy before I knew him? Why did
I see no harm, no shame in this way of life--not even on that stage with
those people--until he said, ‘It was what he wished I had never stooped
to’? And Grandfather says our paths are so different they cannot cross
each other again. There is a path of life, then, which I can never
enter; there is a path on which I must always, always walk, always,
always, always that path,--no escape! Never to come into that other one
where there is no disguise, no hiding, no false names,--never, never!”
she started impatiently, and with a wild look,--“It is killing me!”
Public-domain text, read in full here on John Shaqi.
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