darken over the grand beauty of that strong stern countenance? Still that dejection was not morbidly fed and encouraged, for he would fling it from him with a quick impatient gesture of the head, resume the book resolutely, or change it for another which induced fresh trains of thought, or look over Lionel’s shoulder, and make some subtile comment on his choice, or call on Fairthorn for the flute; and in a few minutes the face was severely serene again. And be it here said, that it is only in the poetry of young gentlemen, or the prose of lady novelists, that a man in good health and of sound intellect wears the livery of unvarying gloom. However great his causes of sorrow, he does not forever parade its ostentatious mourning, nor follow the hearse of his hopes with the long face of an undertaker. He will still have his gleams of cheerfulness, his moments of good humour. The old smile will sometimes light the eye, and awake the old playfulness of the lip. But what a great and critical sorrow does leave behind is often far worse than the sorrow itself has been. It is a change in the inner man, which strands him, as Guy Darrell seemed stranded, upon the shoal of the Present; which the more he strives manfully to bear his burden warns him the more from dwelling on the Past; and the more impressively it enforces the lesson of the vanity of human wishes strikes the more from his reckoning illusive hopes in the Future. Thus out of our threefold existence two parts are annihilated,--the what has been, the what shall be. We fold our arms, stand upon the petty and steep cragstone, which alone looms out of the Measureless Sea, and say to ourselves, looking neither backward nor beyond, “Let us bear what is;” and so for the moment the eye can lighten and the lip can smile. Lionel could no longer glean from Mr. Fairthorn any stray hints upon the family records. That gentleman had evidently been reprimanded for indiscretion, or warned against its repetition, and he became as reserved and mum as if he had just emerged from the cave of Trophonius. Indeed he shunned trusting himself again alone to Lionel, and affecting a long arrear of correspondence on behalf of his employer, left the lad during the forenoons to solitary angling, or social intercourse with the swans and the tame doe. But from some mystic concealment within doors would often float far into the open air the melodies of that magic flute; and the boy would glide back, along the dark-red mournful walls of the old house, or the futile pomp of pilastered arcades in the uncompleted new one, to listen to the sound: listening, he, blissful boy, forgot the present; he seized the unchallenged royalty of his years. For him no rebels in the past conspired with poison to the wine-cup, murder to the sleep. No deserts in the future, arresting the march of ambition, said, “Here are sands for a pilgrim, not fields for a conqueror.” CHAPTER X. In which chapter the history quietly moves on to the next.