“He wouldn’t open the door,” he reported, “and when I told him it was
meal time, he said he wasn’t hungry, and he didn’t give a whoop about
the rest of us. He had asked us here to dinner; he hadn’t proposed to
adopt us.”
So we finally ordered luncheon ourselves, and about two o’clock Jim came
downstairs sheepishly, and ate what was left. Anne declared that Bella
had been scolding him in the upper hall, but I doubted it. She was never
seen to speak to him unnecessarily.
The excitement of the escape over, Mr. Harbison and I remained on terms
of armed neutrality. And Max still hunted for Anne’s pearls, using them,
the men declared, as a good excuse to avoid tinkering with the furnace
or repairing the dumb waiter, which took the queerest notions, and
stopped once, half-way up from the kitchen, for an hour, with the dinner
on it. Anyhow, Max was searching the house systematically, armed with
a copy of Poe’s Purloined Letter and Gaboriau’s Monsieur LeCoq. He went
through the seats of the chairs with hatpins, tore up the beds, and
lifted rugs, until the house was in a state of confusion. And the next
day, the fourth, he found something--not much, but it was curious. He
had been in the studio, poking around behind the dusty pictures, with
Jimmy expostulating every time he moved anything and the rest standing
around watching him.
Max was strutting.
“We get it by elimination,” he said importantly. “The pearls being
nowhere else in the house, they must be here in the studio. Three parts
of the studio having yielded nothing, they must be in the fourth. Ladies
and gentlemen, let me have your attention for one moment. I tap this
canvas with my wand--there is nothing up my sleeve. Then I prepare
to move the canvas--so. And I put my hand in the pocket of this
disreputable velvet coat, so. Behold!”
Then he gave a low exclamation and looked at something he held in his
hand. Every one stepped forward, and on his palm was the small diamond
clasp from Anne’s collar!
Jimmy was apoplectic. He tried to smile, but no one else did.
“Well, I’ll be flabbergasted!” he said. “I say, you people, you don’t
think for a minute that I put that thing there? Why, I haven’t worn that
coat for a month. It’s--it’s a trick of yours, Max.”
But Max shook his head; he looked stupefied, and stood gazing from the
clasp to the pocket of the old painting coat. Betty dropped on a folding
stool, that promptly collapsed with her and created a welcome diversion,
while Anne pounced on the clasp greedily, with a little cry.
“We will find it all now,” she said excitedly. “Did you look in the
other pockets, Max?”
Then, for the first time, I was conscious of an air of constraint among
the men. Dallas was whistling softly, and Mr. Harbison, having
rescued Betty, was standing silent and aloof, watching the scene
with non-committal eyes. It was Max who spoke first, after a hurried
inventory of the other pockets.
“Nothing else,” he said constrainedly. “I’ll move the rest of the
canvases.”
Public-domain text, read in full here on John Shaqi.
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