However, the Countess meant to go--no doubt of it. "You have paid my
brother such a short visit, after all," said Irene. "Please don't go
away because you fancy you are tiring him." But it was no use. Her
ladyship meant to go, and went. Regrets of all sorts, of course;
explanatory insincerities about stringent obligations elsewhere; even
specific allegations of expected guests; false imputation of exacting
claims to the Earl. All with one upshot--departure.
Gwen had taken little or no notice of what was passing, since that
betraying incident of the Crown Derby set. Her mind was at work on
schemes for discovery of the truth about those eyes. She got on the
track of a good one. If she could only contrive to be alone with him for
one moment. Yes--it _was_ worth trying?
It was her mother's inexplicable alacrity to be gone that gave the
opportunity. Her ladyship said good-bye to Mr. Torrens; was sorry she
had to go, but the Earl was so fussy about anything the least like an
appointment--some concession to conscience in the phrasing of this--in
short, go she must! Having committed herself thus, to wait for her
daughter would have been the merest self-stultification. She went out
multiplying apologies, and Irene naturally accompanied her along
the lobby, assisted and sanctioned by Achilles. Gwendolen was
alone with the man who was still credited with sight enough to see
_something_--provided that it was a palpable something. Now--if she
could only play her part right!
"Mamma is always in such a fuss to go somewhere and do something else,"
she said, rather affecting the drawl of a fashionable young lady; for
she could hide anxiety better, she felt, that way. "Do you know, Mr.
Torrens, I don't believe a word of all that about people coming.
Nobody's coming. If there is, they've been there ever so long. I did so
want to talk to you about one of your poems. I mustn't stop now, I
suppose, or I shall be in a scrape." But all the while that she was
saying this she was standing with her right hand outstretched, as though
to say good-bye. Only the word remained unspoken.
"Which of my poems was it?" He was to all seeming looking full at her,
yet his hand did not come out to meet hers. There was hope still. How
could he ratify an adieu with a handshake, on the top of a question that
called for an answer?
Gwen had not arranged the point in her mind--had not thought of any
particular poem in fact. She took the first that occurred to her. "It's
the one called 'A Vigil in Darkness,'" she said. And then she would have
been so glad to withdraw it and substitute another. That was not
possible--she had to finish:--"I wanted to know if any other English
poet has ever used 'starren' for stars."
Public-domain text, read in full here on John Shaqi.
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