Now Miss Grahame was said by critical friends--not enemies; at least,
they said not--to be over-anxious to confer benefits of her own
selection on the Human Race. Her finger-tips, they hinted, were itching
to set everyone else's house in order. Naturally, she had a strong bias
towards Education, that most formidable inroad on ignorance of what we
want to know nothing about. Uncle Mo regarded the human mind, if not as
a stronghold against knowledge, at least as a household with an
inalienable right to choose its guests. Miss Grahame was in favour of
invitations issued by the State, and _vise'd_ by the Church. Everything
was to be correct, and sanctioned. But it was quite clear to her that
these views would not be welcome to the old prizefighter, and she was
fain to be content with the slight protest against Obscurantism just
recorded. In short, Miss Grahame found nothing to say, and the subject
had to drop.
She could, however, lighten the air, and did so. "What on earth are they
about upstairs?" said she. "I really think I might go up and see." And
she was just about to do so, with the assent of Aunt M'riar, when the
latter said suddenly:--"My sakes and gracious! What's that?" rather as
though taken aback by something unaccountable than alarmed by it.
Uncle Mo listened a moment, undisturbed; then said,
placidly:--"Water-pipes, _I_ should say." For in a London house no
sound, even one like the jerk of a stopped skid on a half-buried
boulder, is quite beyond the possible caprice of a choked supply-pipe.
Miss Grahame would have accepted the sound as normal, with some
reservation as to the strangeness of everyday noises in this house, but
for Aunt M'riar's exclamation, which made her say:--"Isn't that right?"
It was not, and the only human reply to the question was a further
exclamation from Aunt M'riar--one of real alarm this time--at a
disintegrating cracking sound, fraught with an inexplicable sense of
insecurity. "_That_ ain't water-pipes," said Uncle Mo.
Then something--something terrifying--happened in the Court outside.
Something that came with a rush and roar, and ended in a crash of
snapping timber and breaking glass. Something that sent a cloud of dust
through the shivered window-panes into the room it darkened. Something
that left behind it no sound but a sharp cry for help and moaning cries
of pain, and was followed by shouts of panic and alarm, and the tramp of
running feet--a swift flight to the spot of helpers who could see it
without, the thing that had to be guessed by us within. Something that
had half-beaten in the door that Uncle Mo, as soon as sight was
possible, could be seen wrenching open, shouting loudly,
inexplicably:--"They are underneath--they are underneath!"
_Who_ were underneath? The children? And underneath what?
Public-domain text, read in full here on John Shaqi.
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