[EDITOR'S NOTE.--From “Historical Fragments and Sketches,” first
published in fifty volumes in 4427, and now, after two hundred years,
because of its accuracy and value, edited and republished by the
National Committee on Historical Research.]
A PIECE OF STEAK
With the last morsel of bread Tom King wiped his plate clean of the last
particle of flour gravy and chewed the resulting mouthful in a slow and
meditative way. When he arose from the table, he was oppressed by the
feeling that he was distinctly hungry. Yet he alone had eaten. The two
children in the other room had been sent early to bed in order that in
sleep they might forget they had gone supperless. His wife had touched
nothing, and had sat silently and watched him with solicitous eyes. She
was a thin, worn woman of the working-class, though signs of an earlier
prettiness were not wanting in her face. The flour for the gravy she had
borrowed from the neighbour across the hall. The last two ha'pennies had
gone to buy the bread.
He sat down by the window on a rickety chair that protested under his
weight, and quite mechanically he put his pipe in his mouth and dipped
into the side pocket of his coat. The absence of any tobacco made him
aware of his action, and, with a scowl for his forgetfulness, he put the
pipe away. His movements were slow, almost hulking, as though he were
burdened by the heavy weight of his muscles. He was a solid-bodied,
stolid-looking man, and his appearance did not suffer from being
overprepossessing. His rough clothes were old and slouchy. The uppers of
his shoes were too weak to carry the heavy re-soling that was itself
of no recent date. And his cotton shirt, a cheap, two shilling affair,
showed a frayed collar and ineradicable paint stains.
But it was Tom King's face that advertised him unmistakably for what he
was. It was the face of a typical prize-fighter; of one who had put in
long years of service in the squared ring and, by that means, developed
and emphasized all the marks of the fighting beast. It was distinctly a
lowering countenance, and, that no feature of it might escape notice, it
was clean-shaven. The lips were shapeless and constituted a mouth harsh
to excess, that was like a gash in his face. The jaw was aggressive,
brutal, heavy. The eyes, slow of movement and heavy-lidded, were almost
expressionless under the shaggy, indrawn brows. Sheer animal that he
was, the eyes were the most animal-like feature about him. They were
sleepy, lion-like--the eyes of a fighting animal. The forehead slanted
quickly back to the hair, which, clipped close, showed every bump of a
villainous-looking head. A nose twice broken and moulded variously
by countless blows, and a cauliflower ear, permanently swollen and
distorted to twice its size, completed his adornment, while the beard,
fresh-shaven as it was, sprouted in the skin and gave the face a
blue-black stain.
Public-domain text, read in full here on John Shaqi.
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